Barry Lenny - Page 27

We're a very lucky town.

Cabaret should be exciting, challenging and, naturally, entertaining, and Sophie deLightful has it in spades.

This is a polished performance by an artist with loads of talent.

An evening can only contain so much, and there are many more acts in this year's Cabaret Fringe.

It was a great evening. The only thing missing was a full house.

Playwright, Matt Hawkins, underplays the pathos and draws the audience into the story.

Terrestrial is everything that good theatre should be.

Don't wait for a second to book tickets.

Two masterpieces of Baroque choral music made an excellent pairing.

I certainly hope to hear the Adelaide Baroque Orchestra again, and regularly.

Concrete Impermanence reminds us of our human fragility.

He's a pianist I've always admired, technically immensely skilled.

State Opera have a winning production in The Pearl Fishers.

The pace throughout is fast and the energy high, with enthusiastic performances.

New Yorker, Kate Hamill's adaptation of Jane Austen's novel, Sense and Sensibility.

Lowground is a beautifully presented piece of musical theatre.

After all these years, this is a hard-hitting play, perhaps even more so, now.

Dr. Feelgood is often cited as, "the greatest rhythm and blues band EVER".

There are plenty of laughs in this production, so pack a supper and book a table.

Let Independent Theatre take you back to a simpler time of black and white ethics.