André Böke

With “SCHOLL – The Bud of the White Rose”, Thomas Borchert and Titus Hoffmann have created an exceptionally complex and intellectually ambitious work. Following its world premiere in Fürth, Theater Magdeburg now presents a musically and dramaturgically refined production featuring a sensationally talented young cast. A significant chapter of German history is reimagined here as a highly philosophical coming-of-age drama, exploring the confusions and contradictions of extraordinary young lives under National Socialism.

What did our critic think of TITANIC at Theater Erfurt?

For the Staatsoperette Dresden, the German-language premiere of Stephen Schwartz’s classic “Pippin – Die Kunst des Lebens” is a triumph on every level. Visual opulence, sharply played tragicomedy, a thunderously powerful orchestra, choreography overflowing with highlights, and a vocally formidable cast come together here in perfect symbiosis.

​​​​​​​The current incarnation of the beloved rock musical “We Will Rock You” in Stuttgart arrives on stage draped in an entirely new visual guise. The book, too, feels fresher, more coherent and more comprehensible than before. At the heart of it all, naturally, are the immortal songs of Queen — the audience is truly having a ball in this show!

The global musical phenomenon “Die Eiskönigin” („Frozen“) continues to captivate audiences of all ages in Germany. Following a successful run in Hamburg, Elsa, Anna, and Olaf have firmly established themselves in Stuttgart, the capital of Baden-Württemberg. This acclaimed production — a replica of the Broadway and West End versions — proves to be nothing less than pure Disney magic here as well.

With “Rudolf – The Last Kiss,” the Festspielhaus Neuschwanstein, in collaboration with Vereinigte Bühnen Wien, has achieved a masterstroke: the beloved musical, long absent from German-speaking stages, has been so thoroughly overhauled that it emerges stronger than ever before.

“Sister Act” owes its status as a global phenomenon to the iconic Whoopi Goldberg film, but Alan Menken’s stage version of the beloved Hollywood comedy has long since conquered stages all over the world. In its acclaimed West End incarnation, the musical has already been touring German-speaking venues for a third year, presented by production company Showslot, continuing to fill auditoriums all over the country. Both the linguistic adaptation and the technical realization for touring operations across Germany are flawless. The show is nothing short of a gospel of good fun – hallelujah!

Global drag excellence conquers the acclaimed “International May Festival” in Wiesbaden: Drag superstar Monét X Change, for one night only. Somewhere between opera, pop, and chanson unfolds a glittering gala concert evening – at times dreamy, at times exalted – unlike anything the sophisticated grand hall of the spa city has accommodated before.

The international hit musical Tina – The Tina Turner Musical has landed in Switzerland as part of its recent UK and Ireland tour. In the city where Tina Turner spent her final years, the show gains a striking sense of immediacy. Seamlessly adapted for touring, the production proves it can more than hold its own on the road, delivering gripping storytelling, iconic visuals, and emotionally charged songs. These are performed—on alternating nights—by two outstanding, dramatically astute performers who bring formidable vocal power to this relentlessly demanding role.

A dazzling farewell: 'Mrs. Doubtfire' concludes its German run as an emotional tour de force, combining exuberant choreography, impeccable design, and a superb ensemble into a production brimming with heart. Bound for the UK tour, it sets a formidable standard.

The touring production of The Bodyguard arrives at a pivotal moment in its continental journey. After stops in Zurich, Munich and Berlin, interspersed with various UK engagements including London, the show now plays its final German date at the Alte Oper Frankfurt. From here, it will return to British venues through mid-year. There is, accordingly, a sense of culmination in the air: a production taking its last bow on German soil before retreating to its home circuit. And what a send-off it proves to be.

The touring company Showslot—best known for its high-end musical productions—has now brought Dan Brown’s thriller “The Da Vinci Code” (published in Germany as “Sakrileg”) to the travelling stage, following its adaptation of “Murder on the Orient Express”. With striking visual flair and a brisk, dynamic narrative style, the production scores highly, delivering an evening of suspenseful and thoroughly entertaining theatre.

“Welcome to the Renaissance!” – after an odyssey of obstacles and hindrances, continental Europe’s biggest English-language theatre venue has finally reopened its gates with a true musical banger: “Something Rotten”! has returned to Frankfurt, featuring a cast and production that establish a quality easily transferable to the West End.

The Stadttheater Baden presents a superb non-replica production of the West End hit 'Matilda', combining imaginative staging, dynamic choreography, and masterful musical direction. Andreas Lichtenberger shines as the formidable headmistress, while the children’s ensemble delivers energetic and nuanced performances, supported by outstanding adult leads such as Ann Mandrella and Boris Pfeifer. With its visually stunning sets and seamless integration of humor and drama, this production showcases the theatre’s artistic excellence and promises a captivating experience for audiences of all ages.