Amelia Divine

CRAVE, Sarah Kane’s stylistic one-act play, is an uncompromising plunge into the raw, chaotic landscape of human emotion. Now performing at Intiman Theater, this is a 55-minute concept piece that seems to revel in its own disarray. In true avant‐garde fashion, the play introduces us to four enigmatic characters–A (Lathrop Walker), B (Christopher Morson), C (Marya Sea Kaminski), and M (Alexandra Tavares)–whose disjointed, abstract musings recall the erratic pulse of late 90s beat poetry. Their relationships remain a mystery, their interactions sparse, each figure channeling a distinct, seething rage that resonates deeply with our current socio-political climate.

The legacy of Hamilton needs no rehashing – record sales, Tony wins and nominations, career launches, and undeniable songs. But is that legacy still preserved in the productions that continue to bear its name, or does any further attempt at putting on an official Hamilton show pale in comparison to the legendary original? Fortunately, the production of Hamilton performing at the Paramount Theater lives up to all the hype.

For two men who built grand worlds of myth and magic, LEWIS AND TOLKIEN is a strikingly intimate and deeply human story—not of great battles or epic journeys, but of friendship, regret, and the quiet ache of unspoken words. Now playing at the Taproot Theater, this play, adapted from Colin Duriez’s novel Tolkien and C.S. Lewis: The Gift of Friendship, is not a play about C.S. Lewis and J.R.R. Tolkien as authors, but as friends—friends who have hurt each other, who feel unseen, and who struggle, in the way that sometimes men do, to be truly vulnerable with one another.

What did BroadwayWorld's critic think of Dial M for Murder at The Village Theater? Read the review here and learn more about The Village Theater's production.

Seattle Public Theater’s Where is Here? takes audiences to an unexpected setting—a bleak airport baggage claim—only to eventually veer into the surreal. With performances in English and Persian, this one-woman show written and directed by Naghmeh Samini blends observational comedy, existential musings, and theatrical experimentation. For context, I attended the show in English, so that will be the show I review. At my performance, the show’s uneven execution left me more disoriented than transported.