Amanda currently writes as a drama critic for Broadway World and Discover Hollywood Magazine, covering live theatre in Los Angeles. Her focus is on connecting arts and culture with the vibrant local community. She is a passionate theatre evangelist, hoping to inspire everyone to discover the kind of intimate, indispensable storytelling and luminous magic that can take place in person.
An award-winning writer, Amanda’s work on arts, culture, music, travel, and parenthood has been published on many platforms including Hollywood Revealed, The Tour Guy, Parenthood Adventures, and Lickhouse Worldwide. She has worked as a storyteller in film, podcasts, books, and by engaging diverse digital audiences.
Amanda’s films have played, and won awards, in Vienna, Lisbon, Belfast, Iran, Scotland, Mexico, Australia, Bolivia, Capri, Palm Beach, and Los Angeles. She has done science writing for NASA, reconstructed Egyptian papyri, worked as a sushi chef, and played a nervous elf bride on a sitcom.
Drawing from her literary and film background Amanda brings an eye for cultural criticism and relevance to her discussion of theatre and its unique and vital pleasures. She is particularly interested in engaging children and new audiences in the connection of immersive live storytelling, exploring theatre for the first time, digging into the rich, elevating pleasures of the classics, and discovering a bold new work they never thought they would enjoy. Amanda has a B.A. from UC San Diego and an M.Phil from the University of Cambridge in classical literature, art, philosophy, and drama.
Favorite Show:
One of my favorite shows of all time is Turandot by Puccini, with an incredible staging by British artist David Hockney. I love it how it is dipped in acid color and beautiful, surreal scene-scapes, with of course, that lavish, sublime music.The Dapper Dans barbershop quartet at Disneyland are another childhood perennial favorite. I could listen to them all day.
Favorite Stories:
- Review: THE RAINMAKER at Laguna Playhouse - Gorgeous, luminous staging and pitch-perfect performances, the transcendent joy and restorative optimism of this production made me feel uplifted for weeks.
- Review: 70, GIRLS, 70 at Lonny Chapman Theatre - A great undiscovered, underrated musical that deserves its place in the pantheon, celebrating mischievous and delightful septuagenarian in New York City. The performances were utterly delightful, and I left the theatre humming great songs that are STILL stuck in my head.
- Review: ON BROADWAY at Smothers Theatre in Malibu - Absolute of embarrassment of riches with four stupendously talented Broadway singers, some of the most extreme talent I've ever seen concentrated in one place at one time. It was glorious. Unforgettable music, at one of my absolute favorite venues in Los Angeles, the Smothers Theatre, on the beautiful, secluded Pepperdine campus in Malibu.
- Review: SANTASIA – A HOLIDAY COMEDY at Whitefire Theatre - Off the rails indie holiday show was wildly entertaining, one of the funniest things I've ever seen, with real heart. Delicious cider and free cookies in the lobby. AND, I got to meet the Yeti. It doesn't get better than that.
- Review: BIRDS OF NORTH AMERICA at Odyssey Theatre -