Adrian Bradley - Page 4

What happens when a group of traffic wardens, a PCSO and a chemist are forced to spend hours held up in a disused cricket pavilion held hostage by an angry mob? WARDENS, written by Darren Richman and Garrett Millerick, hopes to find out as it pokes fun at some of Britain's least loved public servants.

Set in A Unique Little Town (Ault for short), Brian Watkins' gripping one-man play HIGH PLAINS tells the extraordinary confession of Jake, a young construction worker with a dark secret and haunting tale to tell. This tale of sibling rivalry and young love has been winning plaudits across America, and deserves to be a Fringe hit.

The story of JEKYLL & HYDE has been reworked and reinterpreted many times since Stevenson's original novella. The text offers so much to sink your teeth into its no surprise that directors keep on coming back to it. Flipping the Bird's production keeps the key themes intact - the mad scientist, the search for perfection, the beast within - and all the while using it to explore ideas way ahead of its time.

Improvisation is very much a fringe staple and one that can seem all too familiar, when you've seen the umpteenth troupe of drama students playing the same WHOSE LINE IS IT ANYWAY games. Deborah Frances-White's Voices in Your Head project seems to have found a way to reinvent the genre.

Despite having never passed a BBC recruitment board in his life, John Lloyd has none-the-less been responsible for some of the greatest TV and Radio comedies broadcast in the UK over the last 40 years. From JUST A MINUTE to QI, via BLACKADDER, SPITTING IMAGE and of course NOT THE NINE O'CLOCK NEWS - Lloyd uses his fringe debut to share the stories behind these great shows, as he details his life in broadcasting.