Brent is an aspiring playwright originally from Baltimore County, though a recent job transplanted me to Los Angeles to work as a sales representative for a chemical company. Prior to that he taught high school English, and is currently working as an editor for an educational content developer in Baltimore.
BWW Reviews: The Mystery of MARY ROSE
November 9, 2012
November 9, 2012
Rep Stage continues its 20th Anniversary season with a compelling production of J. M. Barrie's haunted drama.
BWW Reviews: Exploiting A BEHANDING
October 26, 2012
October 26, 2012
Martin McDonagh's A BEHANDING IN SPOKANE offers cheap laughs and little else.
BWW Reviews: Theatrical Mining Company's PASSPORT to Redemption
August 17, 2012
August 17, 2012
The 2012 Baltimore Playwrights Festival and Theatrical Mining Company present a new play by Kevin Kostic, set during the post-election riots of Kenya in 2007.
WELL Done
June 7, 2012
June 7, 2012
Rain Pryor, the new artistic director at Baltimore's Strand Theater, directs a moving production of Lisa Kron's WELL.
BWW Reviews: Minding 'THE GAP' at Glass Mind Theatre
June 5, 2012
June 5, 2012
Glass Mind Theatre's third-annual short-play festival pairs playwrights with play settings submitted by audience members.
Summer Stages: BWW's Top Summer Theatre Picks - Baltimore Take 2!
June 7, 2012
June 7, 2012
Baltimore is brewing some great summer theatre with productions Bent, Come Out and Say It, Following Sarah and Passport, the last two selections from the Baltimore Playwrights Festival.
A Potent WHIPPING MAN
April 23, 2012
April 23, 2012
Kwame Kwei-Armah directs his first play since becoming Center Stage's artistic director, an excellent production of Matthew Lopez's THE WHIPPING MAN.
Glorious HOTEL
April 6, 2012
April 6, 2012
Single Carrot Theatre presents a spectacularly inventive interpretation of Charles Mee's HOTEL CASSIOPEIA.
Blood-bound and Tongue-tied to Greek Mythology
March 30, 2012
March 30, 2012
In Jacqueline E. Lawton's new play, BLOOD-BOUND AND TONGUE-TIED, the parallels to the tragedy of Oedipus co-exist awkwardly with a story about race and identity in 20th-century America.
Discomfitting TRANSFORMATION
March 20, 2012
March 20, 2012
Fells Point Corner Theatre produces an excellent production of Annie Baker's compelling play, CIRCLE MIRROR TRANSFORMATION.
ADAPTING CINDERELLA ... But Why?
March 12, 2012
March 12, 2012
In Glass Mind Theatre's ensemble-generated ADAPTING CINDERELLA, the magic of the story proves elusive.
BWW Reviews: Exaggerated COASTAL DISTURBANCES
February 21, 2012
February 21, 2012
At Fells Point Corner Theatre, Tina Howe's 1987 play, COASTAL DISTURBANCES, lacks nuance.
BWW Reviews: Hurston GLEAMS in Baltimore
January 12, 2012
January 12, 2012
Bonnie Lee Moss Rattner's adaptation of Zora Neale Hurston's THEIR EYES WERE WATCHING GOD receives its third production-the first in nearly 25 years-at CENTERSTAGE.
Half MOON
December 5, 2011
December 5, 2011
Glass Mind Theater presents a solid production of Sarah Ford Gorman's still-gestating play, AND UNDERNEATH THE MOON.
An Enjoyable Time ON THIS ISLAND
October 24, 2011
October 24, 2011
The Red Branch Theatre Company concludes its season with a production of ONCE ON THIS ISLAND, a tuneful re-imagining of 'The Little Mermaid.'
A Moving OUR TOWN
October 10, 2011
October 10, 2011
The Chesapeake Shakespeare Company brings OUR TOWN to life in the ruins above Ellicott City.
BWW Reviews: The Theatre of CHURCH
October 5, 2011
October 5, 2011
Single Carrot Theatre opens its fifth season with Young Jean Lee's thought-provoking call to worship, CHURCH.
An Entertaining DEN OF THIEVES
September 18, 2011
September 18, 2011
Baltimore's Glass Mind Theatre opens its second season with an enjoyable production of Stephen Adly Guirgis' intriguing play.
Free Love, or Aphra, Charles, and Nell
September 8, 2011
September 8, 2011
Rep Stage opens its 19th season with a production of Liz Duffy Adams' Restoration-style comedy, 'Or,', an unexpectedly moving play masquerading as farce.
Asking the Hard Questions
August 15, 2011
August 15, 2011
The latest entry in the Baltimore Playwrights Festival, Nancy Murray's ASKING QUESTIONS, overcomes some curious choices to deliver an engaging evening of theatre.
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