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Some Of Melbourne's Favourite Local Choirs Will Join THE HEARTBREAK CHOIR At Melbourne Theatre Company

The production opens on 29 April.

By: Apr. 26, 2022
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Some Of Melbourne's Favourite Local Choirs Will Join  THE HEARTBREAK CHOIR At Melbourne Theatre Company  Image

Some of Melbourne's best-loved local choirs will join the upcoming season of Melbourne Theatre Company's long-awaited production of The Heartbreak Choir opening on 29 April.

The performance stars William McInnes (An Ideal Husband), Maude Davey (The Newsreader), Carita Farrer Spencer (Ladies in Black), Ratidzo Mambo (Escape from Pretoria), Emily Milledge (The House of Bernarda Alba), Louise Siversen (Noises Off) and Julian Weeks (Savage Rivers). Each night, one of the 13 choirs involved will join the cast on stage for the finale, in a fitting end to a production that is a joyful, song-filled snapshot of a devastated community learning how to heal.

Featured choirs co-ordinated by Dr Jonathon Welsh (ABC TV's Choir of Hard Knocks) include Western Health Singers (made up of a number of health workers); Choir of Opportunity (made up of Victoria University students and staff from western Melbourne); Casey Sings!; the Voices of Moonee Valley; Latrobe Valley Community Choir; THE CHO!R and the Play It Forward Combined Choir.

Additional choirs joining the production include Vox Chops, a jazz vocal ensemble based in Northcote; the Melbourne Mass Gospel Choir; KeyTones, which began as a nurses choir in late 90's; Lisa Schwabe's Noteworthy, from St Kilda, plus popular Melbourne singing groups Glee Club and Glee West.

Originally programmed for the Company's 2020 season, The Heartbreak Choir is brought to the stage by The Architect director Peter Houghton. This emotionally resonant MTC NEXT STAGE commission is the last work from playwright Aidan Fennessy - a fitting final act of togetherness.

About the Play: In the old CFA hall on the outskirts of town, a small group of locals come together to sing, and to connect. Aseni, Barbara, Mack, Savannah and Totty have splintered from their original choir on a matter of principle and are intent on forging their own path. With their latest recruit Peter along for the ride, they have a new name, a space to rehearse in and a public debut booked. All they need now is to right the wrongs of the past ... and to find a song that pairs perfectly with the local winery's Sangiovese.

Aidan Fennessy, who passed away in 2020, was a writer, director and dramaturg. In 2018, his play The Architect premiered at MTC to critical and popular acclaim. His play Chilling and Killing My Annabel Lee won the Wal Cherry Award and was shortlisted for the Victorian Premier's Literary Award. His Melbourne International Comedy Festival play, The Trade, won the prestigious 2002 Barry Award.

Aidan was former Associate Director for MTC and a member of the 2012 Programming Team. His MTC directing credits include National Interest (which he also wrote), Circle Mirror Transformation, The Joy of Text, Boston Marriage, Ruby Moon, His Girl Friday and Things We Do for Love. Aidan was a founding member of Chameleon Theatre, a member of the Artistic Directorate of HotHouse Theatre, and Artistic Director of the Store Room Theatre Workshop.

Peter Houghton is an actor, director and playwright whose directing credits for MTC include The Architect, The Odd Couple, Boy at the Edge of Everything, True Minds, Hinterland, The Recruit and Art and Soul. Other directing credits include Footprints on Water (Griffin Theatre Company), Noises Off (Marriners), and Day One, A Hotel Evening (BLACK SWAN State Theatre Company).

As an actor, he has appeared for MTC in Shakespeare in Love, Three Little Words, His Girl Friday, The Joy of Text, The Colours, The Female of the Species, Birthrights, Laughter on the 23rd Floor, Misalliance and Sweet Bird of Youth. His solo show, The Pitch, played over 500 performances in Australia and the UK, winning Edinburgh Fringe and Stage UK Awards and The Age Pick of the Year. He has received Green Room Awards for Best Actor in The Pitch and Eleventh Hour's Endgame, Best Play for The Pitch and Best Director for his body of work.



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