1939 Hollywood is abuzz. Legendary producer David O. Selznick has shut down produc-tion of his new epic, Gone with the Wind, a film adaptation of Margaret Mitchell’s novel. The screenplay, you see, just doesn’t work. So what’s an all-powerful movie mogul to do? While fending off the film’s stars, gossip columnists and his own father-in-law, Selznick sends a car for famed screenwriter Ben Hecht and pulls formidable director Victor Fleming from the set of The Wizard of Oz. Summoning both to his office, he locks the doors, closes the shades, and on a diet of bananas and peanuts, the three men labor over five days to fashion a screenplay that will become the blueprint for one of the most successful and beloved films of all time.
Videos
Tiny Beautiful Things
Authenticity Theater (1/16 - 1/25)
PHOTOS
VIDEOS
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Love's Labour's Lost (A Shakespeare Comedy)
The Shakespeare Tavern Playhouse (1/9 - 1/26) | ||
Taylor Nation: A Taylor Swift Tribute Show
Earl and Rachel Smith Strand Theatre (2/13 - 2/13) | ||
ATOS Altanta presents: THE MARK OF ZORRO (1920) with live theatre organ
Plaza Theatre (2/13 - 2/13) | ||
Movies at The Strand: To Kill A Mockingbird (1962)
Earl and Rachel Smith Strand Theatre (2/20 - 2/20) | ||
Clue
Fox Theatre (1/28 - 2/2) | ||
Jazz Talk with Trey Wright: A Journey Through Jazz History Part One
Earl and Rachel Smith Strand Theatre (2/20 - 2/20) | ||
Dear Evan Hansen (Non-Equity)
RiverCenter for the Performing Arts [Heard Theatre] (4/18 - 4/18) | ||
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