Theatrical Outfit, located at the Balzer Theater at Herren's on Luckie Street in downtown Atlanta, continues its 2018-2019 Season of Beauty with the Atlanta premiere of The Pitmen Painters, British writer Lee Hall's (Billy Elliot) dramatization of William Feaver's book about a real-life group of English miners from the Geordie region who become unexpected stars of the high society art circles of London between the World Wars. Both comedic and stirring, The Pitmen Painters, directed by Adam Koplan (Artistic Director of Flying Carpet Theatre Company and director of The Outfit's 2018 hit Perfect Arrangement), features an all-Atlanta ensemble and runs February 27 - March 24, 2019.
1934-1947. Great Britain. When a group of miners and a dentist hire a professor to teach Art Appreciation, they embark on one of the most unusual experiments in art history. As the pitmen become painters, suddenly avant-garde artists become their friends, their work hangs in prestigious collections, and they are celebrated in high society. But every day, they still risk their lives down in the mine. Based on a true story, this heartfelt lesson about character over class and talent over privilege challenges the way we look at art and reveals our universal desire for a richer, more colorful existence.
Theatrical Outfit's regular performances of The Pitmen Painters are Thursdays through Saturdays at 7:30PM and Sundays at 2:30PM. Tickets range from $18-$51 and may be purchased online at www.theatricaloutfit.org or by calling 678.528.1500. Group pricing is available. For info, email boxoffice@theatricaloutfit.org. Ticket prices are subject to availability. Fees and taxes apply. Order early for best pricing.
Photo Credit: Casey Gardner
Allan Edwards, Clifton Guterman, Brian Kurlander, Richard Garner, Andrew Benator.
Tess Malis Kincaid and Brian Kurlander
Allan Edwards, Clifton Guterman, Brian Kurlander, Richard Garner, Andrew Benator.
Allan Edwards and Richard Garner
Allan Edwards, Clifton Guterman, Brian Kurlander, Richard Garner, Andrew Benator.
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