After seven years of writing, re-writing, fine tuning, and revelatory readings, Alexander deJong's opulent Liberace musical, "ALL THAT GLITTERS" will be presented in its Pre-Broadway workshop from Tuesday, May 8 through Friday, May 11 at the Baryshnikov Arts Center (450 West 37 Street – between Ninth and Tenth Avenues).
Directed and choreographed by Alexander deJong, "ALL THAT GLITTERS" has a book by Mr. DeJong and James A. Walsh, music and lyrics by Mr. DeJong and additional music by Tom Nelson.
Launching with the nearly mythical audition by a ten-year-old Liberace on the great stage of the Pabst Theatre in Milwaukee, "ALL THAT GLITTERS" rockets through a career that defied reason in its stratospheric trajectory.
The Creative Team includes Bob Mackie (Costumes), John Arnone (Scenery) and Howell Binkley (Lighting). Jack Lee is the Musical Director.
Wladziu Valentino Liberace will be played by three men. Kevin Dolan will play the maestro as a child prodigy in Milwaukee. Zachary S. Berger will play him as the neutron explosion that was his ascension to stardom. Richard Kline will play him as the emotionally wrecked superstar that reinvented television, kidnapped Las Vegas and cleaned up financially in Europe.
The musical is aiming for an April 2013 Broadway Opening.
Alexander deJong recently directed the staged readings of ZARRA, Unmasked at Last, a new musical comedy in development, starring Chita Rivera and Mario Cantone, for which Mr. DeJong also wrote the book, music and lyrics. Alexander was an original cast member of the Tony Award-winning revival of 42nd Street on Broadway. Alexander also appeared on Broadway in My Fair Lady with Richard Chamberlain. It was during this show that Alexander forged long-term working relationships with both renowned choreographer Donald Saddler and musical director/conductor Jack Lee. Mr. Lee became the musical director for Steps in Time, a new musical co-authored and staged by Alexander at The Henry Miller Theatre in NYC, starring Milo O'Shea and Helen Gallagher. Steps in Time was a finalist for The Richard Rogers Award. Alexander assisted Tony Award-winning choreographer Donald Saddler on various projects, including the revival of No, No, Nanette at the Paper Mill Playhouse.
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