The Apothetae, a theater company dedicated to the production of full-length plays that explore and illuminate the "Disabled Experience," and The Lark, an international theater laboratory based in New York City, are thrilled to announce their partnership in launching The Apothetae and Lark Initiative.
The Initiative, currently in the development stages, includes plans for annual convenings of Disabled artists with the theater field at large, a workshop for Disabled writers, and The Apothetae and Lark Playwriting Fellowship, which will provide a Disabled writer with a two-year cycle of support for the generation and development of a new work to essay and challenge popular perceptions of the "Disabled Experience."
In addition to the artistic and career support of The Apothetae and The Lark during the writer's residency, plans for the award include $40,000 in financial support, a $10,000 opportunity and resource fund, and a $10,000 production enhancement fund.
To raise awareness and support for this program, The Apothetae and The Lark will produce "Telethon!" 2016, a virtual, theatrical event consisting of regular video posts to The Lark's blog during the month of September.
Through these efforts, The Apothetae and The Lark, with the aid of Steering Committee members Claudia Alick (Community Producer, Oregon Shakespeare Festival), Shirley Fishman (Resident Dramaturg at La Jolla Playhouse), Jack Reuler (Artistic Director at Mixed Blood Theatre), and Howard Sherman (Senior Strategy Director and Interim Director at Alliance for Inclusion in the Arts), will provide an unprecedented platform of support for Disabled artists. The needs for a higher and more intentional level of advocacy were articulated during conversations that occurred during the first national convening of Disabled artists and the larger theater community, held by The Apothetae and The Lark in May of 2015, and out of which this Initiative was borne. While topics of equity, access, and inclusion in the theater have recently gained increasing prevalence, Disability is only just beginning to enter the conversation. By affording Disabled writers the space and resources required to take the necessary risks, The Fellowship aims to aid in the generation of work with the power to revolutionize the cultural dialogue surrounding Disability.The Lark is an international theater laboratory, based in New York City, dedicated to empowering playwrights by providing transformative support within a global community. Founded in 1994, The Lark provides writers with funding, space, collaborators, audiences, professional connections, and the freedom to design their own processes of exploration. The guiding principal of The Lark's work is the belief that playwrights are society's truth tellers, and their work strengthens our collective capacity to understand our world and imagine its future.
Last year, The Lark served 929 artists, including 106 playwrights, partnered with more than a dozen theaters and universities, and welcomed 2,618 Audience members to 32 public presentations. In the past three years 121 Lark developed plays moved on to 281 productions in 111 cities around the world. In order to provide economic flexibility to writers at different stages of their careers, The Lark has created a portfolio of major playwriting fellowships. The Lark continues to offer a free and open submission process that allows any and all writers to submit to our Playwrights' Week program and maintains free admission to the public for all readings and workshops. Plays substantially developed at The Lark include The Mountaintop by Katori Hall, Guards at the Taj by Rajiv Joseph, brownsville song (b-side for tray) by Kimber Lee, and Skeleton Crew by Dominique Morisseau. For more information about the artists, initiatives and plays of The Lark, visit www.larktheatre.org.Videos