Texas Performing Arts Presents BEHIND THE SCENES: THE ART OF THE HOLLYWOOD BACKDROP

The vast Bass Concert Hall Stage turns gallery as Texas Performing Arts presents Behind the Scenes: The Art of the Hollywood Backdrop. Visit mid-century Hollywood without leaving Austin through an up-close view of these Metro-Goldwyn-Mayer studio assets from February 11 through March 21.

This first-ever public viewing of twelve historic Golden Age of film backdrops provides a look into the nearly lost art of hand-painted Hollywood motion picture scenic art. Reservations for timed admission tickets are available beginning Saturday, January 30 at 10 am at texasperformingarts.org.

In 2012, the Art Director's Guild (ADG) Archives began the Backdrop Recovery Project, an effort to preserve the legacy of Hollywood's motion picture scenic artists. This resulted in the preservation of 207 historic backings, creating the world's most comprehensive archive of Hollywood scenic art history. ADG donated these historic drops to museums, motion picture archives, and academic institutions, including The University of Texas at Austin through the Texas Performing Arts scenic studio. Texas Performing Arts now houses 50 MGM backdrops used to educate the next generation of scenic artists for stage and screen.

The Texas Performing Arts collection from the Backdrop Recovery Project has been featured on CBS Sunday Morning, in the Los Angeles Times, and in O, The Oprah Magazine. Other backdrops from the Texas Performing Arts collection are currently on view in San Antonio in partnership with the McNay Art Museum for their exhibition Hollywood's Sistine Chapel: Sacred Sets for Stage & Screen.

Curated by Karen L. Maness, Scenic Art Supervisor at Texas Performing Arts and faculty member in Theater & Dance and Arts & Entertainment Technologies at The University of Texas at Austin, Behind the Scenes: The Art of the Hollywood Backdrop displays highlights of this collection to the public for the first time. "UT Austin now owns the largest educational collection of Hollywood Motion Picture backdrops in the world. Maness explained. "Created in the guarded secrecy of MGM's studio system and designed to transport audiences to far off locations while filming on soundstages in Culver City, these backdrops have never been accessible for public viewing. Discover the "Below the Line" artists who shaped cinematic history. These are the masterworks of artists who painted for films like The Wizard of Oz (MGM 1939), An American in Paris (MGM 1951), Singin' in The Rain (MGM 1952), and North by Northwest (MGM 1959). You'll be astonished by these monumental illusions."

While large-scale indoor performances remain suspended due to the pandemic, the Bass Concert Hall stage has been transformed in to an exhibition hall, offering viewers a unique opportunity to see these enormous historic paintings up close. The MGM backdrops on view are:

BEHIND THE SCENES: THE ART OF THE HOLLYWOOD BACKDROP

• Tip on a Dead Jockey (MGM 1957), Madrid rooftop panorama - 18'-9" x 12'

• National Velvet (MGM 1944), exterior of small cottage - Opaque Technicolor 13'-11" x 9'-4"

• Young Bess (MGM 1953), exterior view of Westminster Abbey in the 1950's - 40' x 20'-2"

• Young Bess, (MGM 1953), exterior of Hampton Court in the 1550s - 35' x 15'-6"

• Two Weeks in Another Town (MGM 1962), interior of a hotel lobby in Rome, Italy, in the 1960s - Translucent 30' x 19'-10"

• National Velvet (MGM 1944), exterior of the small town of Sewels in Sussex, England in the late 1920s - Translucent 39' x 32'

• The Prodigal (MGM 1955), a view of a pagan idol inside a temple in Damascus in 70 BC - Opaque Technicolor 22'-2" x 16'

• The Prodigal (MGM 1955), exterior temple courtyard and tents in the Gardens of Pleasure of Damascus in 70 BC - Opaque Technicolor 24' x 22'

• The Student Prince (MGM 1954), interior of a German cathedral in fictional Karlsburg near the turn of the 20th century - Back Painted Translucent 35'-2" x 20'-3"

• Two Loves (MGM 1961), exterior view of a trailer park in Pennsylvania in 1961 - Back Painted Translucent 41' x 30'

• The Outrage (MGM 1964), a view of southwestern United States, the Sonoran Desert, in the 1870s - Back Painted Translucent 30' x 93'

• Glass Bottom Boat (MGM 1966), a view of Avalon, a city on Santa Catalina Island, in 1966 - Translucent 35'-10" x 19'-10"

The exhibit also includes recreations of other backdrops in the collection that were painted by UT Austin scenic art students training with Professor Maness in the Texas Performing Arts studios. "Astounding in scale and technical virtuosity, this collection allows our students to step into the hidden world of Hollywood's Golden Age and learn directly from masters of motion picture scenic art." Maness stated. "These MGM backdrops hold the key to every discipline required to succeed in the art of scenic painting."

Bob Bursey, Executive Director of Texas Performing Arts noted "This exhibition continues our commitment to offering new creative experiences during the pandemic. This show is an opportunity for a change of scene-something I think we could all use right now."

For those unable to visit in-person, a video tour of the exhibition led by Karen Maness will be available on-demand beginning in mid-February. An accompanying study guide for use by educators will also be available, thanks to H-E-B.

VISITOR INFORMATION

The exhibit is open by reservation for one-hour long visits on Thursdays through Sundays from February 11 to March 21, 2021, as well as on President's Day, February 15, 2021. Timed slots are available at 2:30 and 4:00 pm on Thursdays and Fridays and at 10:00 am, 11:30 am, 2:00 pm, and 3:30 pm on weekends and President's Day. The number of visitors per one-hour timed entry slot is strictly limited. Advanced reservations are required and may be made at texasperformingarts.org.

Tickets are $12 for adults and $5 for non-University of Texas at Austin students of any age. Tickets are free for UT students, faculty and staff, healthcare professionals, essential workers, and military.

What to expect:

• Everyone 2 years and older must wear a mask covering their nose and mouth while visiting the exhibit.

• Capacity for each timed entry slot is very limited. The exhibition has been designed to promote social distancing.

• Each timed entry reservation is for up to one hour in the exhibition. Visitors must exit the exhibition at the end of their reserved time.

• All tickets will be sold online at texasperformingarts.org and be delivered via email for mobile contactless entry.

• Hand sanitizer stations will be available.

• Food and beverages will not be offered for sale and are not allowed in the exhibit.

• Coat and hat check will not be available.

To keep our community safe, Texas Performing Arts ask that:

• Visitors conscientiously practice social distancing, frequently wash hands, use hand sanitizer, and wear a mask as required.

• If a visitor is not feeling well or has been in close contact with someone they suspect may be infected, please stay home and contact a doctor. Contact the Ticket Office at 512.471.1444 or tickets@texasperformingarts.org to request a credit or reschedule.

• Visitors be prepared to scan mobile and print-at-home tickets at our ticket scanners upon arrival.

• If the exhibition is postponed or canceled, ticketholders will be offered a choice of refund, credit for future use, or the opportunity to donate ticket value to Texas Performing Arts.

In 2012, the Art Directors Guild (ADG) Archives began to chronicle the unsung contributions of Hollywood's motion picture scenic artists. Working closely with the ADG, University of Texas at Austin faculty members Karen Maness and Richard Isackes co-authored The Art of the Hollywood Backdrop, published by Regan Arts (2016). The award-winning volume is the definitive behind-the-scenes history of one of Hollywood's most closely guarded cinematic secrets-painted backdrops and the scenic artists who brought them to the big screen. In 2017 the ADG Archives Backdrop Recovery Project was launched in partnership with J.C. Backings. This commitment resulted in rescuing 207 historic backings from destruction and creating the world's most comprehensive archive of Hollywood scenic art history.

Karen Maness is the principal instructor of scenic art and figurative painting for the Department of Theatre & Dance at The University of Texas at Austin and Scenic Art Supervisor at Texas Performing Arts. Maness studied studio art and set design at Whittier College. She continued her studies at Cobalt Studios in White Lake, New York, and The Florence Academy of Art in Italy. Her career as a scenic artist and practicing studio artist spans thirty years, with works held in private collections worldwide.

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