Running March 20 through April 5, 2025.
Teatro Público de Cleveland and Cleveland Public Theatre will present El Coquí Espectacular and the Bottle of Doom by Matt Barbot.
The play has been popular across the country for nearly a decade and even had a workshop at Julia de Burgos Art Center in 2016 and has since won several awards including a couple at The John F. Kennedy Center for the Performing Arts.
By day, Alex is a struggling comic book artist tempted by the allure of a steady job, but by night he is "El Coquí Espectacular," a superhero on a mission to save his fellow Puerto Ricans; while his advertising exec brother, Joe, reluctantly becomes the "voice" of Spanish-speaking people everywhere, and he doesn't even speak Spanish. See how the brothers discover their true identities in this comic book come to life.
El Coquí Espectacular and the Bottle of Doom was originally produced by Two River Theater John Dias, Artistic Director / Michael Hurst, Managing Director
Featuring: Roxana Bell, Nathalie Bermudez, Alisha Caraballo, Angelluis Centeno, Alejandro Martinez Jr., Elena Grace Thomson (Understudy)
Director: Fabio Polanco
Assistant Director: Nahomy Garcia
Stage Manager: Mekenzie Keogh
Line Producer: Anastasía Urozhaeva
Costumes & Props Designer: Inda Blatch-Geib
Scenic Designer: Gennie Neuman Lambert
Lighting Designer: Jaemin Park
Assistant to Lighting Designer: Elena Grace Thomson
Sound Designer & Composer: Stewart Blackwood
Projection Designer: Val Kozlenko
Fight Choreographer: Ryan Zarecki
Matt Barbot is a writer from Brooklyn, NY. His play El Coquí Espectacular and the Bottle of Doom (Kennedy Center Darrel Ayers Award, Kennedy Center Latinidad Award) received its world premiere at Two River Theater in January of 2018 and will receive a production with Long Wharf Theatre in January 2025. His play the beautiful land i seek (la linda tierra que busco yo) will premiere Off Broadway at Pregones/PRTT in December. Infallibility (2018 Sheen Center Playwriting Fellowship) was selected as one of Indie Theater Now‘s “Best of FringeNYC 2013.” Princess Clara of Loisaida (finalist: Latinx Theatre Commons' 2018 Carnaval of New Latinx Work, 2018 Columbia@Roundabout New Play Series, 2021 Miranda Family Voces Latinx National Playwriting Competition) and Saints Go Marching (semifinalist: 2018 Eugene O'Neill Theater Center National Playwrights Conference) were selected to feature on Steppenwolf's “The Mix” list. The Venetians was a winner of Roundabout Theatre Company's 2019 Columbia@Roundabout New Play Series. Recently, his short play A List of Some Shit I've Killed was published as part of the Red Bull Theater's anthology Red Bull Shorts Volume III. Matt's first play for young audiences, Stoo's Famous Martian American Gumbo, was commissioned by Peppercorn Theatre and was produced there in Summer 2019, and again in 2021 as part of Hangar Theatre's KIDDSTUFF series. Matt was invited to be a part of Lynn Nottage's The Watering Hole at the Signature Theatre; Maya Phillips of the New York Times called his contribution “the strongest.” Matt received his MFA from Columbia University, and was recently a New York Theatre Workshop 2050 Fellow, a member of The Civilians' R&D Group, and part of the Lark Playwriting Group @ Second Stage.
Fabio Polanco‘s directing credits include Pride and Prejudice, Somewhere, La Siempreviva, Intimate Apparel, Macbeth, Bus Stop, Night Train to Bolina, the regional premiere of Missionaries by Elizabeth Swados, Measure for Measure, Cloud Tectonics, The House of Blue Leaves, Sunday in the Park with George, readings of Fade, La Gringa, and Manual for a Desperate Crossing by Maria Irene Fornés, and the premiere of In Pieces: A New Musical by Joey Contreras. As an actor, Fabio's credits include the Broadway national tour of Les Misérables and roles at Cleveland Play House, Brooklyn Academy of Music, Berkeley Repertory Theatre, McCarter Theatre, Signature Theatre, Eugene O'Neill Theatre Center, Great Lakes Theater, Musical Theatre Project, Cincinnati Playhouse in the Park, Repertory Theatre of St. Louis, Porthouse Theatre, Cleveland Musical Theatre, Cain Park, Dobama Theatre, Idaho Shakespeare Festival, and numerous film and television credits. Fabio holds an MFA from Case Western Reserve University and is a Professor of Theatre at Kent State University, where he received the 2018 Outstanding Research and Scholarship Award and co-founded Latinx in Theatre. Fabio has been a member of Actors' Equity Association since 1996.
In 2013, Cleveland Public Theatre launched Teatro Público de Cleveland (TPC), a local Latinx theatre company whose work reflects the artistic goals, interests, and ideals of its members. The purpose of this theatre ensemble is to share the rich diversity and perspectives of the Latine-Cleveland culture, and to fulfill CPT's core mission.
Cleveland Public Theatre has been at the forefront of new play development since 1981. Through developmental programs, CPT serves local artists at every step of the creative process, from early ideas all the way to full productions and the entrepreneurial step of launching a new work. With a national reputation for developing new plays and producing innovative interpretations of classic works, CPT has garnered praise for its work and received acknowledgement and recognition from The New York Times, American Theatre magazine, Theatre Journal, The Dramatists Guild, and Canadian Theatre Review. Shows created at CPT have toured to New Orleans, New York, Toronto, Minneapolis, Belgrade, the United Kingdom, and South Korea. CPT engagement programs have served as a model for similar programs in Turkey and Uzbekistan.
Cleveland Public Theatre utilizes a Choose What You Pay policy, with no handling fees, allowing patrons the option to select their own rate. Tickets may be purchased online, over the phone, and at the Box Office at 216.631.2727 ext. 501. For more information visit www.cptonline.org.
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