Today we celebrate a major milestone anniversary of a legendary Broadway mainstay, A CHORUS LINE.
I Can Do That On April 15, 1975 what would go on to become the longest-running Broadway musical of the era opened with much pomp, circumstance and an inordinate amount of buzz at the Shubert Theater on Broadway - the one and only A CHORUS LINE. Fiercely and fabulously idiosyncratic, A CHORUS LINE came about as the direct result of a game-changing developmental creative process shepherded by director, choreographer, producer and all-around mastermind Michael Bennett in the first of what is now considered the standard workshop rehearsal process of creating a new musical from the ground-up - in this case, from scratch. Never before had a musical been crafted in quite the same way as what Bennett and his team of collaborators conjured up. Working alongside composer Marvin Hamlisch, lyricist Ed Kleban, bookwriters Nicholas Dante and James Kirkwood and producer Joe Papp, Bennett utilized the stories candidly told by a group of his closest friends and associates - dancers, all - in an informal group therapy session held one fateful night over copious amounts of wine, cigarettes, illicit substances and general merriment - along with a plethora of vivid, sometimes painful and often joyous memories of what it means to be a dancer and why they all did that they did and continued to do it, no matter what. More to the point, in the end, A CHORUS LINE is really about the cost of that love and what it takes to make it on the line - in life, in love, in employment, and in general. After all, "What I Did For Love" is not only one of the most cherished and treasured gems from the splendidly dynamic score for the show, but the true meaning of the show itself.
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