THE SIDEWAYS MUSEUM to Launch windowSPACE During Cultural Trust's 1/23 Gallery Crawl

Pittsburgh, PA -- The Pittsburgh Cultural Trust announces the opening of windowSPACE, a new special-projects room of SPACE in the Cultural District. The first project titled The Sideways Museum is organized by local artist Tom Sarver and premieres January 23, 2015, at 5 p.m., during the Cultural Trust's quarterly Gallery Crawl. windowSPACE is viewable 24 hours a day as a window display at 812 Liberty Avenue and interior viewing of The Sideways Museum is limited to special occasions. The project is on view through June 14, 2015.

"We welcome Tom to debut our new program offering another exciting opportunity for local artists to promote interesting projects to the public in a highly visible avenue," says Murray Horne, curator for visual arts at the Pittsburgh Cultural Trust.

The Sideways Museum features a collection of works by Pittsburgh-based artists exploring folk and visionary art traditions. Artists include Liz Hammond, Doug Hill, Joann Kielar, Jim Rettinger, Tom Sarver, Steve Smith, and Dorothy Williams. Works are arranged salon-style with a numbered chart for identification of paintings, sculptures, puppets, and other art objects. Alterations will be made to the display periodically and new works will be added, keeping the display in a state of flux.

"The Sideways Museum is an extension of my community-based projects," says Tom Sarver. "It begins as a window display at SPACE. It has the potential to grow legs and become a long-term project, in a site of its own."

The Sideways Museum focuses on artists who often go unnoticed by art-world institutions. These artists have developed styles that are inspired by the Pittsburgh region as well as by daily life in the specific communities in which they live. Rather than reacting to trends in the art world, these artists pursue depth of meaning and invention, creating work on their own terms.

ABOUT THE ARTISTS:

Interdisciplinary artist Liz Hammond has been active in music, performance art, sculpture, and theater. In the 1990s she was a member of the Industrial Arts Co-op, the team of salvage artists that created the monumental Carrie Deer sculpture at the abandoned Carrie Furnace industrial site in Rankin, Pennsylvania. Recently, Hammond has been creating a collection of soft sculpture fiber work she calls Simple Cells. These abstract works, exploring form and materials, suggest ideas for larger structures.

East Pittsburgh artist Doug Hill creates simple machines out of cardboard. Hill's inspiration for these sculptures comes from the gadgets of everyday life. He closely observes everything from bus doors to clocks and Venetian blinds. Hill's work was featured in an exhibition at Pittsburgh Center for the Arts in 2008. His work has also been shown at The Brew House and The Irma Freeman Center for Imagination.

Joann Kielar is a Pittsburgh artist, puppeteer, and storyteller. As an educator, she promotes the art of puppetry with projects in schools and at community events. In her work she explores the interaction of words and images. Her handcrafted glove puppets, rod puppets, and doll-like characters are designed in visual accompaniment to the stories that she writes.

Jim Rettinger has been active in the arts in Western Pennsylvania for many years, and he was a public school art teacher for 38 years. His sculptural assemblages fuse decaying wood, obscure antique objects, and hand-formed clay. The resulting creations are expressive creatures, symbolic constructions, and surrealist visions. In one of his works, Rettinger comments on the passage of time by stacking and gluing together many clock radios, all plugged in with flashing displays.

Tom Sarver is a Pittsburgh puppeteer, artist, and curator. His projects with Pittsburgh visionary artists include curating a 2008 exhibition at Pittsburgh Center for the Arts, titled Binding Forces, and a 2004 show at The Brew House, titled From the Inside. From September 2006 through May 2008, Sarver included work by local self-taught and professional artists in his live-in project at the Mattress Factory, The Tom Museum.

Steve Smith's paintings are inspired by personal experience, world events, and news broadcasts. His style is influenced by ancient and primitive cultures. As a teenage art student in Braddock, Pennsylvania, Smith was fascinated by the early cultures of Egypt, Africa, and the Americas. Although health issues challenged his career dreams, Smith pushed ahead and continued to make art. Today, Smith has a collection of drawings, sketches, and paintings that document the events of his lifetime. His bold, patterned works have been shown in Pittsburgh hospitals, shops, and neighborhood art galleries.

Dorothy Williams (1926-2005), from the Hill District and later East Liberty, had a professional career as counselor for women in prison. Later in life, she began creating images made by gluing colored embroidery floss, one string at a time, to pieces of cardboard. The works document rich memories of her African American heritage, and they also reveal themes of racial equality and integration. Her many string painting images include an integrated dance party, a fishing outing, and running home from school in the rain. Her work has been exhibited in shows at Top Notch Art Centre, The Tom Museum, The Brew House, and Pittsburgh Center for The Arts.

SPACE is located at 812 Liberty Avenue. Gallery Hours: Wed & Thurs: 11 a.m.-6 p.m.; Fri & Sat: 11 a.m.-8 p.m.; Sun. 11 a.m.-5 p.m. The gallery is free and open to the public. SPACE is a project of the Pittsburgh Cultural Trust. For more information about all gallery exhibitions featured in the Cultural District, visit TrustArts.org.

The Pittsburgh Cultural Trust has overseen one of Pittsburgh's most historic transformations: turning a seedy red-light district into a magnet destination for arts lovers, residents, visitors, and business owners. Founded in 1984, the Pittsburgh Cultural Trust is a non-profit arts organization whose mission is the cultural and economic revitalization of a 14-block arts and entertainment/residential neighborhood called the Cultural District. The District is one of the country's largest land masses "curated" by a single nonprofit arts organization. A major catalytic force in the city, the Pittsburgh Cultural Trust is a unique model of how public-private partnerships can reinvent a city with authenticity, innovation and creativity. Using the arts as an economic catalyst, the Pittsburgh Cultural Trust has holistically created a world-renowned Cultural District that is revitalizing the city, improving the regional economy and enhancing Pittsburgh's quality of life. Thanks to the support of foundations, corporations, government agencies and thousands of private citizens, the Cultural Trust stands as a national model of urban redevelopment through the arts. Follow us on Twitter @CulturalTrust, and like us on Facebook.