THE SCREWTAPE LETTERS, the provocative and wickedly witty theatrical adaptation of the C.S. Lewis novel about spiritual warfare from a demon's point of view, presented by Fellowship for the Performing Arts, announces its highly anticipated Fall 2010 National Tour. The production kicked off its Fall Tour at The Touhill Performing Arts Center at the University of Missouri-St. Louis in St. Louis, One University Boulevard, on Saturday, September 25 and will also appear at PlayhouseSquare, 1511 Euclid Avenue in Cleveland, Ohio on Friday, October 15 at 8 p.m. and Saturday, October 16 at 4 and 8 p.m.; and at Raleigh Memorial Auditorium, 2 East South Street in Raleigh, NC on Saturday, November 6 at 4 p.m. and 8 p.m.
THE SCREWTAPE LETTERS is now in its sixth month of an open ended run at New York City's Westside Theatre with Max McLean as Screwtape. McLean will take a short break from the New York production to perform the role in Cleveland and Raleigh, NC while Steven Hauck will covers Screwtape in New York.
The New York Times writes "The Devil has rarely been given his due more perceptively and eruditely"; New York Post calls it "As entertaining as it is thought-provoking"; THE SCREWTAPE LETTERS is "Wickedly witty...played with lip-smacking relish!" raves the Wall Street Journal. Elle writes "Brilliant...Hilarious wit" and The Associated Press calls the production "Devilishly funny...Lewis' insights are cleverly conveyed!" The Chicago Sun-Times hails THE SCREWTAPE LETTERS as "Smart, sizzling entertainment!" and National Review says that the production is "Pure genius...an outstanding piece of work."
Prior to its current New York engagement it was a hit at Chicago's Mercury Theatre where it ran for six months and at The Shakespeare Theatre in Washington, D.C. where it played for ten sold out weeks. Last fall it delighted capacity houses in San Francisco, Phoenix, Louisville, Chattanooga, Ft. Lauderdale, Houston and Austin.
Adapted for the stage by Jeffrey Fiske and Max McLean, THE SCREWTAPE LETTERS, runs 80 minutes without intermission. In this invertEd Moral universe set in an office in hell, God is called the "Enemy" and the devil is referred to as "Our Father below." The play follows His Abysmal Sublimity Screwtape, played by Max McLean (2009 recipient of Chicago's Jeff Award for Solo Performance), and his creature-demon secretary, Toadpipe, played by Elise Girardin, as they train an apprentice demon, Wormwood, on how to entice the mind of a human "patient" toward damnation. The actors' combined skills seduce their unsuspecting soul down the "soft, gentle path to hell."The book's success as a piercing insight into humanity's bent toward evil is due to Lewis' lucid capacity to make his readers squirm in self recognition. When first published in 1942, it brought immediate fame to this little-known Oxford don, including the cover of Time Magazine.
THE SCREWTAPE LETTERS is still one Lewis' most influential works, along with such other classics as The Chronicles of Narnia (including The Lion,The Witch and The Wardrobe), The Great Divorce and Mere Christianity. Lewis dedicated it to his close friend J. R. R. Tolkien who had expressed to Lewis that delving too deeply into the craft of evil would have consequences. Lewis admitted as much when he wrote "Though I had never written anything more easily, I never wrote with less enjoyment . . . though it was easy to twist one's mind into the diabolical attitude, it was not fun, or not for long. The work into which I had to project myself while I spoke through Screwtape was all dust, grit, thirst, and itch. Every trace of beauty, freshness, and geniality had to be excluded."
Scenic Design is by Cameron Anderson, Costumes by Michael Bevins, Lighting Design by Jesse Klug, and Original Music and Sound Design by John Gromada.
For tickets or more information on THE SCREWTAPE LETTERS, visit www.ScrewtapeOnStage.com. For groups of 10 or more call 866.476.8707.Videos