Want to know what hooked your favorite Broadway stars to a career in the theater? Dying to know more about their dream roles? Their Broadway crushes? Every Friday afternoon, BroadwayWorld is bringing you THE FRIDAY SIX: Q&As with the best of Broadway and beyond.
In this week's special edition, we caught up with playwrights from Ensemble Studio Theatre's Marathon of One-Act Plays. Series A features El Grande by Maggie Diaz Bofill, How My Grandparents Fell in Love by Cary Gitter, The Fork by Emily Chadick Weiss, Showtime Blues by France-Luce Benson, and Blue Handed by David Zellnik. For more information, visit: www.ensemblestudiotheatre.org
What is your most unique writing ritual?
I have whole conversations out loud - wherever I feel inspired to do it - between my characters - which I record on the phone. They often end up being what's on the page. I look like a crazy person but it works.
Do you have any memorable "the show must go on" moments?
So many. Once when I was acting the only light that was supposed to be on stage was a TV. It shown on me while I did my monologue it was a really cool effect. The chord fell out of its plug from the ceiling. I had to continue doing my monologue as I walked backstage to plug it into the dressing room which was just behind the set. I finished my monologue in front of the TV as it was supposed to be. People applauded. It was funny.
What are you working on next?
A play about my mom. And Cuba. And when she came from there with my dad and two sisters... She was kind of a beautiful force. She still is. Just from the Celestial Heights. Giving God an earful every day I'm sure.
Who is your Broadway or Off-Broadway crush?
Where can people follow you online?
Facebook. Most active and recent.
CARY GITTER
I believe it was Phantom of the Opera, but it might have been Born Yesterday. Both on the same trip to NY I took with my junior high Drama class.
What is your most unique writing ritual?
Don't know that I have a ritual that is unique. But sometimes I'll go to a muesum or look through an art book and try to experience the work from my character's perspective. I also keep something called a "resistance page"; which I use to keep me writing through resistance.
Do you have any memorable "the show must go on" moments?
Not really. I did have a production in which the lead actress fell off the stage. It was the last moment of the last performance of a 3 month run. It was terrifying. But the show did not go on. She went to the hospital and everyone went home. Thankfully, she is fine now.
What are you working on next?
I'm completing a two part full length play about the Haitian Revolution called Deux Femmes on the Edge de la Revolution. I am also collaborating with SteveBroadnax III on a full length version of Showtime Blues.
Who is your Broadway or Off-Broadway crush?
Where can people follow you online?
On FB - France-Luce Benson
Twitter: @francelucebenso
What is the first Broadway show you ever saw?
Technically, "Barnum." But when I saw the original Broadway touring company production of "Sweeney Todd" in Philadelphia with George Hearn and Angela Lansbury at age 9 (my mom brought me to "Sweeney Todd." At age 9! Thanks mom!) it changed my life.
What is your most unique writing ritual?
I love to go somewhere in the city I've never been and find a place where it seems like I know no one and no one knows me, and write in a restaurant or café. If I'm lucky enough to be surrounded by people speaking a different language all the better. If it's another country then it's the best. I like the public feeling of writing in a café or restaurant. It feels closer to what it is to ask for people's attention in a theatre.
Do you have any memorable "the show must go on" moments?
Three days before my musical "Yank!" opened Off Broadway we cut a song, integrated a new one, and opened with it! Director Igor Goldin and choreographer Jeffry Denman routined it perfectly - it involved a ton of tap dancing - and the cast hit it out of the park.
What are you working on next?
Lots! Finished a new musical "Ruth and the Panda" with my brother, composer Joe Zellnik. It's inspired by the true story of a 30s New York socialite who succeeded at what no man had done: getting the first live panda out of China, setting off a worldwide craze that I would argue we are still in. I've also in rewrites for a play about three friends in Berlin and later New York called "The Letters," which traces their lives over 14 years through their shared fascination with Proto-Indo-European, the language from 6000 years ago that gave birth to English, German, Greek, Hindi, Persian, Celtic, etc. And I'm in the midst of creating the project, "Break the Wall" with my friend and collaborator Ismail Khalidi. It's an open source web site for diverse writers to create short, sharp plays that wrestle with Palestine/Israel, that can be downloaded for free and performed anywhere.
Who is your Broadway or Off-Broadway crush?
Jenn Colella. Mia Barron. Chekhov.
Where can people follow you online?
Twitter: @DavidZellnik
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