Set Your Watch! TIME AND THE CONWAYS, Starring Elizabeth McGovern, Opens Next Week on Broadway

Roundabout Theatre Company presents the new Broadway production of J. B. Priestley's Time and the Conways, directed by Tony winner Rebecca Taichman (Indecent). Time and the Conways returns to Broadway for the first time since its premiere in 1938.

Time and the Conways stars Elizabeth McGovern as "Mrs. Conway," Steven Boyer as "Ernest," Anna Camp as "Hazel," Gabriel Ebert as "Alan," Charlotte Parry as "Kay," and Matthew James Thomas as "Robin," with Anna Baryshnikov as "Carol," Brooke Bloom as "Madge," Alfredo Narciso as "Gerald," and Cara Ricketts as "Joan."

A friendly reminder that Time and the Conways opens officially on Tuesday, October 10, 2017. This is a limited engagement through November 26, 2017 at the American Airlines Theatre on Broadway (227 West 42nd Street).

In 1919 Britain, Mrs. Conway ("Downton Abbey's" Elizabeth McGovern) is full of optimism during her daughter's lavish twenty-first birthday celebration. The Great War is over, wealth is in the air, and the family's dreams bubble over like champagne. Jump nineteen years into the future, though, and the Conways' lives have transformed unimaginably. This time-jumping play by J.B. Priestley (An Inspector Calls) takes place at the crossroads of today and tomorrow-challenging our notions of choice, chance and destiny. Tony winner Rebecca Taichman (Indecent) directs.

Roundabout is pleased to welcome back Oscar nominee Elizabeth McGovern following her success as "Cora Crawley" in "Downton Abbey," for which she won two Screen Actors Guild Awards, and was nominated for a Golden Globe and a Primetime Emmy Award. McGovern made her Roundabout debut playing Ophelia in the 1992 production of Hamlet. Roundabout also welcomes director Rebecca Taichman, who won a Tony Award for her Broadway debut last season with Indecent.

The creative team also includes Neil Patel (Set Design), Paloma Young (Costume Design), Christopher Akerlind (Lighting Design) and Matt Hubbs (Sound Design).

Roundabout Theatre Company is committed to producing the highest quality theatre with the finest artists, sharing stories that endure, and providing accessibility to all audiences. A not-for-profit company, Roundabout fulfills its mission each season through the production of classic plays and musicals; development and production of new works by established and emerging writers; educational initiatives that enrich the lives of children and adults; and a subscription model and audience outreach programs that cultivate and engage all audiences.

Roundabout Theatre Company presents a variety of plays, musicals, and new works on its five stages, each of which is specifically designed to enhance the needs of Roundabout's mission. Off-Broadway, the Harold and Miriam Steinberg Center for Theatre, which houses the Laura Pels Theatre and Black Box Theatre, with its simple sophisticated design, is perfectly suited to showcasing new plays. The grandeur of its Broadway home on 42nd Street, American Airlines Theatre, sets the ideal stage for the classics. Roundabout's Studio 54 provides an exciting and intimate Broadway venue for its musical and special event productions. The Stephen Sondheim Theatre offers a state of the art LEED certified Broadway theatre in which to stage major large-scale musical revivals. Together these distinctive homes serve to enhance Roundabout's work on each of its stages.

Roundabout's season in 2017-2018 includes Time and the Conways by J. B. Priestley, directed by Rebecca Taichman; John Lithgow: Stories by Heart, by John Lithgow, directed by Daniel Sullivan; and Tom Stoppard's Travesties, directed by Patrick Marber.

Roundabout's new off-Broadway season dedicated to new work at the Harold & Miriam Steinberg Center for Theatre in 2017-2018 includes The Last Match, by Anna Ziegler, directed by Gaye Taylor Upchurch; Amy and the Orphans, by Lindsey Ferrentino, directed by Scott Ellis; Skintight, by Joshua Harmon, directed by Daniel Aukin.

Roundabout Underground's 2017-2018 season includes Too Heavy for Your Pocket, by Jiréh Breon Holder and Bobbie Clearly, by Alex Lubischer.

Photo Credit: Jeremy Daniel