STOMP and Black Violin Coming to Mayo Performing Arts Center in April

STOMP, the international percussion sensation, returns to Mayo Performing Arts Center in Morristown for three performances only, Saturday-Sunday, April 5-6. Tickets are $57-$109 (includes all fees). Show times are Saturday, April 5 at 3 pm & 8 pm and Sunday, April 6 at 2 pm. 

Also in April, audiences can step into Black Violin’s Full Circle Tour, where GRAMMY-nominated duo Wil Baptiste and Kev Marcus redefine the possibilities of music by merging classical depth with hip-hop’s pulse. Black Violin comes to MPAC on Tuesday, April 8 at 7 pm. Tickets are $79-$47 (all fees included).

From its beginnings as a street performance in the UK, STOMP has grown into an international sensation over the past 29 years, having performed in more than 50 countries and in front of more than 26 million people. Throughout its life, the show has continued to change by creating new material to bring music to everyday objects.  It is safe to say you will never again look at supermarket carts or plumbing fixtures the same way… or paint cans, or kitchen sinks or…

STOMP, an overwhelming success marked by rave reviews, numerous awards, and sell-out engagements, is the winner of an Olivier Award for Best Choreography (London's Tony Award), a New York Obie Award, a Drama Desk Award for Unique Theatre Experience, and a Special Citation from Best Plays. 

In addition to the stage shows, STOMP has been an overwhelming success marked by rave reviews, numerous awards, an Academy Award nomination, four Emmy nominations and one Emmy Award for their acclaimed HBO special Stomp Out Loud, noteworthy TV appearances including The London 2012 Olympic Games Closing Ceremony, The Academy Awards (produced by Quincy Jones), Mister Rogers’ Neighborhood, and a series of award-winning international commercials. 

The performers “make a rhythm out of anything we can get our hands on that makes a sound,” says co-founder/director Luke Cresswell.  A unique combination of percussion, movement and visual comedy, STOMP has created its own inimitable, contemporary form of rhythmic expression: both household and industrial objects find new life as musical instruments in the hands of an idiosyncratic band of body percussionists.  It is a journey through sound, a celebration of the everyday and a comic interplay of characters wordlessly communicating through dance and drum. 

Synchronized stiff-bristle brooms become a sweeping orchestra, eight Zippo lighters flip open and closed to create a fiery fugue; wooden poles thump and clack in a rhythmic explosion.  STOMP uses everything but conventional percussion instruments - dustbins, suitcases, radiator hoses, boots, hub caps - to fill the stage with a compelling and unique act that is often imitated but never duplicated. 

The Black Violin tour comes on the heels of their new single and video, “Smoke.” Produced by Phil Beaudreau (Dr. Dre, Justin Bieber, The Game, Lalah Hathaway), the song is the second single released from their upcoming album Full Circle, set for release later this spring. “Nothing has ever been recorded like this song,” says Black Violin’s Kev Marcus. “There is no song in the history of songs that’s a viola solo like that. I watch a lot of Beat Bobby Flay, and the chefs are like, ‘This is me on a plate’—this is Wil on a track. It’s what the viola has always wanted, since the days of Bach, to be able to shine in a melodic, super-soulful way, and no one else in the world could make that song but us.”

Black Violin members Wil Baptiste and Kev Marcus met on the first day of orchestra class in 1996 at Dillard High School of the Performing Arts in Fort Lauderdale. (Baptiste originally wanted to play saxophone in the band, but the orchestra teacher got him assigned to his class after winning a golf bet with the band instructor.) Classically trained by day, they faithfully put on their headphones and listened to the hottest rap records each night. They went to different colleges—Marcus attended Florida International University and Baptiste went to Florida State—but then reconvened, moved into an apartment together, and started trying to produce other musicians.

They developed an act covering hip-hop songs on their violins, which became popular in local clubs. Two years after sending in a tape to Showtime at the Apollo, they were invited to appear on the show—which they won, and kept winning. They were approached by the manager of Alicia Keys, who asked them to perform with the singer at the Billboard Awards. Other offers followed—they toured with Mike Shinoda of Linkin Park, opened for the Wu-Tang Clan, and worked with the likes of Alessia Cara, 2 Chainz, and Lil Wayne. All the while, Black Violin continued touring non-stop (playing as many as 200 shows a year) and released two independent, self-financed albums before putting out the acclaimed Stereotypes in 2016, followed by 2019’s Take the Stairs, which was nominated for Best Contemporary Instrumental Album at the 2020 GRAMMYs.

Black Violin has always been about taking things further, exceeding expectations, challenging conventions. The duo has steadily built a devoted following and a diverse touring base while occupying a musical lane that’s entirely its own.

Black Violin’s work extends far beyond the stage, reaching deep into communities nationwide with numerous free performances for students and hands-on engagement with youth symphonies and community centers. Through collaborations with local and national education programs such as Turnaround Arts, Baptiste and Marcus connect with more than 100,000 students throughout the year, including low-income and Title 1 schools, and adopted Bethune Elementary, in Florida’s Broward County (near where they grew up) to initiate an ongoing mentorship program. In 2019, the duo launched the Black Violin Foundation, a non-profit organization dedicated to empowering youth by working with them in their communities to provide access to quality music programs that encourage creativity and innovation.

About MPAC

Mayo Performing Arts Center, a 501(c)(3) nonprofit organization, presents a wide range of programs that entertain, enrich, and educate the diverse population of the region and enhance the economic vitality of Northern New Jersey. The 2024-2025 season is made possible, in part, by a grant the New Jersey State Council on the Arts/Department of State, a Partner Agency of the National Endowment for the Arts, as well as support received from the F.M. Kirby Foundation, The Blanche and Irving Laurie Foundation and numerous corporations, foundations and individuals. Mayo Performing Arts Center was named 2016 Outstanding Historic Theatre by the League of Historic American Theatres, and is ranked in the top 50 mid-sized performing arts centers by Pollstar Magazine.

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