As BroadwayWorld reported last month, Stephen Sondheim recently announced at the New Yorker Festival that he is working on something new. Confirming previously reported rumors, the new project will be a collaboration between Sondheim and contemporary American playwright David Ives. The project, whose title was not announced, will be based on two classic films by Spanish filmmaker Luis Buñuel. The two separate films will be the basis for one complete story which the characters will exist in seamlessly. The first half will be based on The 1972 film "The Discreet Charm of the Bourgeoisie" and the second half will be based on the 1962 film "The Exterminating Angel."
Inthe video, watch as he reveals some details on the upcoming project!
The Discreet Charm of the Bourgeoisie is a 1972 surrealist film directed by Luis Buñuel and written by Jean-Claude Carrière in collaboration with the director. The narrative concerns a group of upper middle class people attempting - despite continual interruptions - to dine together. The film received the Academy Award for Best Foreign Language Film and a nomination for Best Original Screenplay.
The Exterminating Angel was written and directed by Luis Buñuel, starring Silvia Pinal, and produced by her then-husband Gustavo Alatriste. It is considered by the Mexican film critics as the 16th best film of the Mexican cinema and one of the best 1000 films by the New York Times. Its plot concerns a formal dinner party at the lavish mansion of Señor Edmundo Nobile. By morning it is apparent that, for some inexplicable reason, they are psychologically, but not physically, trapped in the music room.
This marks the first new work from Stephen Sondheim since his less-successful production of "Bounce" in 2003 that was renamed "Roadshow" and remounted in 2008. Sondheim turned out sixteen major works in the American Musical Theatre quite consistently (one show every one to four years) from 1957 (West Side Story) to 1994 (Passion). According to audience reports from last night's event, Sondheim noted that the first draft had just been completed, so they were targeting 'the next few years' for when we'd see the musical.
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