The photograph today is increasingly distanced from the handmade. With the proliferation of digitalization, seamless Photoshop retouching, and quick laser printing, pictures now more than ever are a product of the mind and the machine. In tandem, the photograph has become eminently reproducible. Yellowing silver prints and one-shot polaroids, once keepsakes saved in shoe boxes or pinned on walls, have been all but negated by online photo streams and jpegs from our iPhones.
Yet a group of intrepid artists are working to reclaim the photograph as a unique and handmade object, through an entirely unexpected medium: embroidery. Robert Mann Gallery is pleased to present its summer show, The Embroidered Image, curated by Orly Cogan and featuring the work of Pinky/MM Bass, Matthew Cox, Orly Cogan, Jane Waggoner Deschner, Flore Gardner, Diane Meyer, Jose Romussi, Hinke Schreuders, Hagar Vardimon, Jessica Wohl, and Melissa Zexter. Utilizing in their own ways the tactility, intricacy, and powerful domestic history of needle and thread, the artists transform photographs into singular mementos both nostalgic and unequivocally current. The Embroidered Image will be on view today, May 29 - August 15, 2014. Opening Reception: TONIGHT, May 29, 6 - 8pm.
For Melissa Zexter and Flore Gardner, embroidery serves as an extension of the imagination. Tinted and black-and-white photographs receive overlays of color and pattern, revealing a nun's contemplation in pink crosses and bringing a red cardinal to commune with a daydreaming woman. For others, it's architectural-Diane Meyer's thick needlepoint panels mimic pixellation in her images of the stark Berlin cityscape, blurring the built environment to comment on fading memories of its history, while Hagar Vardimon's colored threads pull at the rafters of tiny houses like geometric spiderwebs and form mysterious icons in suburban yards.
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