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Public Theater Extends GOOD PERSON OF SZECHWAN Through 12/8

By: Nov. 04, 2013
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The Public Theater announced a two-week extension for The Foundry Theatre's GOOD PERSON OF SZECHWAN by Bertolt Brecht. With a translation by John Willett and directed by Lear deBessonet, GOOD PERSON OF SZECHWAN began performances on Friday, October 18 and was originally scheduled to close on Sunday, November 24. The show officially opened on Tuesday, October 29 and will now run an additional two weeks to Sunday, December 8.

A new block of tickets is on sale now and can be purchased by calling (212) 967-7555, www.publictheater.org, or in person at the Taub Box Office at The Public Theater at Astor Place at 425 Lafayette Street. The Library at The Public is open nightly for food and drink, beginning at 5:30 p.m., and Joe's Pub continues to offer some of the best music in the city.

Can we practice goodness and create a world to sustain it? In this comic and complex play, one of Brecht's most entertaining characters, Shen Tei, the good-hearted, penniless, cross-dressing prostitute, is forced to disguise herself as a savvy businessman named Shui Ta to master the ruthlessness necessary to be a "good person" in a cruel world of limited resources. The award-winning Foundry Theatre and director Lear deBessonet bring this theatrical classic to life for the 21st century withTaylor Mac in the lead and original live music by César Alvarez with The Lisps.

The complete cast features original members Kate Benson (Mrs. Shin); Ephraim Birney (The Nephew); Vinie Burrows (God #1); Clifton Duncan (Grandfather, Yang Sun); Jack Allen Greenfield (Boy, Carpenter's Son); Brooke Ishibashi (The Woman);Paul Juhn (The Man, Mr. Shu Fu); Mia Katigbak (God #2); Lisa Kron, (Mrs. Mi Tzu. Mrs. Yang); Taylor Mac (Shen Tei); Mary Shultz (God #3); David Turner (Wang, Waiter); and Darryl Winslow (Unemployed Man, Carpenter, Policeman).

GOOD PERSON OF SZECHWAN features set design by Matt Saunders, costume design by Clint Ramos, lighting design byTyler Micoleau, sound design by Brandon Wolcott, and choreography by Danny Mefford.

Photo Credit: Carol Rosegg







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