The Manhattan Theatre Club production of Samson Raphaelson's ACCENT ON YOUTH is currently in previews at MTC's Samuel J. Friedman Theatre (261 West 47th Street) in preparation for a Wednesday, April 29 opening night.
To see a sneak peek at
ACCENT ON YOUTH,
click hereACCENT ON YOUTH is directed by Tony Award winner
Daniel Sullivan (Rabbit Hole, Sight Unseen, Proof) and features
Lisa Banes (High Society, Arcadia),
Rosie Benton (Saturn Returns), Curt Bouril (A Man for All Seasons),
David Furr (Cymbeline),
Mary Catherine Garrison (Top Girls, Rabbit Hole),
Byron Jennings (Is He Dead?, Sight Unseen), Tony nominee
Charles Kimbrough (Company, "Murphy Brown"), Tony and Emmy winner
David Hyde Pierce (Curtains, Spamalot, "Frasier"), and John Wernke (The American Plan).
ACCENT ON YOUTH, a new production of
Samson Raphaelson's comedy, is a salute to love's possibilities, both on stage and off. Successful playwright Steven Gaye (Pierce) is about to abandon his latest script, when his young secretary (Garrison) offers him new inspiration. With her as his muse, he stages the show on Broadway, only to learn, to his dismay, that the show's young leading man (Furr) is being inspired by her too.
The creative team for
ACCENT ON YOUTH includes
John Lee Beatty (scenic design),
Jane Greenwood (costume design),
Brian MacDevitt (lighting design),
Obadiah Eaves (original music & sound design), and
Tom Watson (hair & wig design).
TICKETING INFORMATION FOR
ACCENT ON YOUTH:
Single tickets to
ACCENT ON YOUTH are available via www.Telecharge.com; by telephone at (212) 239-6200 or (800) 432-7250 if outside the NY metro area; and at the
Samuel J. Friedman Theatre box office (261 West 47th Street, between Broadway and 8th Avenue).
ACCENT ON YOUTH tickets range in price from $56.50-$96.50.
www.ManhattanTheatreClub.com
Photo Credit Joan Marcus
David Hyde Pierce and Mary Catherine Garrison
David Hyde Pierce and Mary Catherine Garrison
David Hyde Pierce and Rosie Benton
David Hyde Pierce and Mary Catherine Garrison
David Hyde Pierce and Charles Kimbrough