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Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) presents the New York premiere of COMPLETENESS, a new play by Itamar Moses (The Four of Us, Bach at Leipzig) and directed by Obie Award winner Pam MacKinnon (Clybourne Park at PH, The Four of Us, Occupant, Peter and Jerry).
The production will have its official opening on Tuesday, September 13 at 7PM and continue through Sunday, September 25. The cast will feature Brian Avers (Rock ‘n' Roll and The Lieutenant of Inishmore on Broadway, Kevin Kline's King Lear at The Public, Julie and Julia), Aubrey Dollar (Juvenilia at PH, Bottom of the World at The Atlantic, "Women's Murder Club," "Ugly Betty") and Meredith Forlenza (A Behanding in Spokane and Pal Joey on Broadway, NBC's "Mercy"), as well as Karl Miller (Columbinus at NYTW, the world premiere of Completeness at South Coast Repertory, Helen Hayes Award for Angels in America at Forum Theatre), who joins the company to step in for the previously-announced Lucas Kavner.
How does a computer scientist hook up with a molecular biologist? He blinds her with science, of course. In COMPLETENESS, when Elliot (Mr. Miller) builds a computer program to help Molly (Ms. Dollar) with her research project, the variables in their evolving relationship shift as rapidly as the terms of their experiment. This deft and imaginative new ROM-comedy shows that even the most sophisticated algorithm may freeze in the face of life's infinite possibilities.
The production features scenic and costume designs by David Zinn, lighting design by Russell H. Champa, original music and sound design by Bray Poor and projection and video design by Rocco DiSanti. Production Stage Manager is Charles M. Turner III.
The Arts Access program at Playwrights Horizons allows the institution to reach out to those who may not be able to afford the cost of a full-prIce Theater ticket. This program is supported, in part, by the New York City Department of Cultural Affairs, The McGraw-Hill Companies and the Elroy and Terry Krumholz Foundation. Other Arts Access initiatives, both of which reflect Playwrights Horizons' ongoing commitment to making its productions more affordable to younger audiences, include HOTtix, $25 rush tickets, subject to availability, day of performance only, starting one hour before showtime to patrons aged 30 and under. Proof of age required. One ticket per person, per purchase. STUDENT RUSH, $15 rush tickets, subject to availability, day of performance only, starting one hour before curtain to full-time graduate and undergraduate students. One ticket per person, per purchase. Valid full-time student ID required.Playwrights Horizons' season productions are generously supported in part by The Harold and Mimi Steinberg Charitable Trust and the New York City Department of Cultural Affairs.
Playwrights Horizons is supported in part by public funds from the National Endowment for the Arts, the New York State Council on the Arts and the New York City Department of Cultural Affairs. In addition, Playwrights Horizons receives major support from the Andrew W. Mellon Foundation, The Shubert Foundation, Bloomberg Philanthropies,Time Warner Inc., the Charina Endowment Fund and the Peter Jay Sharp Foundation. For subscription and ticket information to all Playwrights Horizons productions, call Ticket Central at (212) 279-4200 , Noon to 8 pm daily, or purchase online at the Playwrights Horizons website at www.playwrightshorizons.org.Karl Miller (Elliot) joins the New York production of Completeness after creating the role of Elliot in the world premiere production at South Coast Rep. New York: Columbinus (New York Theatre Workshop). Additional Regional: Angels in America, Parts I & II (Forum Theatre, 2010 Helen Hayes Award for Outstanding Lead Actor), Sometimes a Great Notion (Portland Center Stage), My Name is Asher Lev (Arden Theatre), Passion Play, a cycle (Arena Stage), The Four of Us (Theatre J), The Talented Mr. Ripley (Round House Theatre), Hamlet (Rep Stage), This is Our Youth (Studio Theatre), Accidental Death of an Anarchist (Rorschach Theatre), The Maids (Washington Shakespeare Company).Photo Credit: Joan Marcus
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