As part of UNTITLED Miami, Drawing on Habit: An Ambition, features the work of Philip Smith, along with four generations of works by artists predominantly connected to New York City and Miami.
The exhibition is drawn from the text project, An Ambition, by Saul Ostrow and Lidija Slavkovic, which is based on their ongoing conversations concerning the conceptual, semiotic and philosophical issues that circumscribe Slavkoci's production.
A special event, Conversation on Habit in Studio and Critical Practices, will take place on Thursday, Dec. 5 from 4-6pm, preceding the opening reception.
Smith's pencil on wood drawing, Smoking Grapefruit, 2013 will be presented within the exhibition, which focuses on the theme of habit. By means of the select works, Ostrow and Slavkovic identify the material traces of how habit consciously and unconsciously informs the attitudes and points of view that stimulate an artist's experiments and contingent interpretations of their disciplinary objectives.
The exhibition will be on view Thursday 5 - Sunday 8 December. Conversation - Habit in Studio and Critical Practices: Thursday 5 December, 4-6pm. Opening Reception: Thursday 5 December, 6-9pm. The Betsy is located at 1440 Ocean Drive, Miami Beach, FL 33139.Following the UNTITLED Miami exhibition, PHILIP SMITH: SIGN LANGUAGE will be on view through Friday, December 20 at the Jason McCoy Gallery, New York.
Featured in ELLE DECOR, Artspace, IN New York, Modern Luxury Miami and miamiartzine, Jason McCoy Gallery presents PHILIP SMITH: SIGN LANGUAGE, the artist's latest body of work of psychologically-charged images, drawn from found imagery in 1950s Cold War spy manuals, lingerie ads, books on mysticism and numerology, lost magic manuals and early genetic diagrams. Walter Robinson describes, "Like a magic act, Philip Smith's new paintings happen right before your eyes, but you're still not quite sure what it is you've seen." Smith works the canvas like a physicist's blackboard where he can postulate new image formulations and equations.
The exhibition also features Smith's prints-laser-carved etchings on black marble imported from Pakistan. Smith explains the roots of this print series: "All great early civilizations memorialized their cultural, spiritual and social ideas and history by carving into stone. As a kid, I was fascinated by these cultures and wanted to become an archaeologist-which gives some explanation to the pictographic work I create. Instead of carving into stone, I now carve into paint, but was always curious to make work like the ancients did, in stone. By harnessing technology with this ancient expression, I have created these marble carvings using a laser to draw the lines into stone. I refer to them as 'fragments' and as 'prints' as they utilize an engraving process similar to classical prints on paper."Videos