Performances Added to CABARET AT THE END OF THE WORLD at IRT
By: BWW News Desk Mar. 13, 2017
IRT presents Hard Sparks' THE CABARET AT THE END OF THE WORLD by Melody Bates and Rebecca Hart, directed by Joan Jubett, March 10-19 at IRT Theater (154 Christopher Street) as part of the 3B Development Series*.
Tickets ($25) may be purchased in advance at www.irttheater.org/ . The cast will feature Melody Bates (The Nymphs at BAM; R & J & Z at New Ohio Theater), Samantha Bilinkas (The Trials of Ms. Katherine at Theatre Row), and Connor Bond (Troilus and Cressida, Shakespeare in the Park), with Musical Director Peter Szep, Choreographer Hettie Barenhill. Fight Director Dan Renkin, Sound and Lighting Designer John Salutz, Costumer Elizabeth Kurtzman and Stage Manager Darielle Shandler.
Performances are March 10, 12, 13, 14, 16, 18, 19 at 7pm, and March 11, 15, 19 at 3pm.
Ancient Rome looks a lot like modern America as irreverant, vivacious hosts Sisters Flora (Melody Bates) and Fawna (Samantha Bilinkas) welcome you to the hottest nightspot in the City Of Seven Hills for an evening of song, dance, and political comedy.
But with Rome on edge, satire can be a dangerous game. With a literal lion at the door and a metaphorical wolf - in the fetching form of a predatory Marc Antony- taking control of the government after Caesar's assassination, no one is safe.
Inspired by Shakespeare's most celebrated history play, The Cabaret At The End Of The World presents Julius Caesar from a female perspective. Empire is clearly problematic, but what what does democracy mean if not everyone gets to participate?
Author of the supernatural sequel to Shakespeare's Romeo And Juliet, R & J & Z, playwright Melody Bates' work inverts - and subverts - classical tropes in order to shed new light on long-standing sociopolitical issues. Her latest, The Cabaret At The End Of The World, is a socially conscious comedy that asks us to consider whose experience matters. Telling the events of Julius Caesar from the perspective of two women--two non-aristocratic women, at that- is, in itself, political. Co-starring Connor Bond with original songs by Rebecca Hart, it's also downright vaudevillian.
The Cabaret At The End Of The World is a play with music created by Melody Bates (book) and Rebecca Hart (music and lyrics), and directed by Joan Jubett. It was originally commissioned by Maine's Opera House Arts at The Stonington Opera House.
Melody Bates is a native Oregonian actor and writer based in Brooklyn. Theatre includes Alas, The Nymphs (BAM), If Colorado Had an Ocean (La Mama E.T.C.), Eightythree Down (Theatre St. Marks--NYIT Award Outstanding Lead Actress nominee), and performances at The Public Theatre, Classic Stage Company, St. Anne's Warehouse, Cleveland Public Theatre, and Boston's ART. At Maine's Stonington Opera House: Juliet in R & J & Z, Maria in Mr. Burns, Cleopatra in Antony & Cleopatra. She plays featured roles this season in Bartlett Sher's Romeo et Juliette and Barbiere di Siviglia at the Metropolitan Opera. Film/TV credits include Public Hearing, Naked/ Spurious, and I Am Homicide. The sold-out NY premiere of Melody's play R & J & Z was nominated for three NYIT Awards. MFA in acting from Columbia University. www.melodybates.com
SAMANTHA BILINKAS Selected theatre credits include: The Trials of Ms. Katherine (The Clurman Theatre at Theatre Row), The Night of the Hunter (New 42nd Street Studios), Much Ado About Nothing (John Gielgud Theatre, RADA), The Crucible (NYU), Jonah (Todd Mountain Theatre Project), Equus (Scott Theatre). Film: Civil War (has played in over fifty film festivals internationally), Temma (Alfred P. Sloan Production Grant Winner), Spy, Porcupine, Let Me Wonder. Samantha has also studied extensively at The Upright Citizens Brigade in New York City and received her BFA from NYU Tisch. www.samanthabilinkas.com
Connor Bond most recently performed in The Public Theater's Shakespeare in the Park production of Troilus and Cressida directed by Dan Sullivan. Regional: Richard III with the Shakespeare Theater of New Jersey, and Henry IV Pt 1 and Sense and Sensibility with the Utah Shakespeare Festival. Also, the Winter's Tale, Camelot, and the Foreigner with the Texas Shakespeare Festival. He performed Legally Blonde with the Pacific Conservatory Theater, and the 25th Annual Putnam County Spelling Bee with Portland Center Stage. Currently featured in Bartlett Sherr's Metropolitan Opera production of Romeo Et Juliette. Film/TV: Madam Secretary, Boiling Pot, and Eidola. MFA in Acting from the University of California, Irvine. connorbondactor.com.
JOAN JUBETT (Director) NEW YORK: The Laramie Project (LREI), The Millay Sisters (Gowanus Loft) R & J & Z, (The New Ohio, Three NY Innovative Award Nominations including Outstanding Revival), Struck (HERE Sublet Series), Multimedia True West (3LD). AD on A Midsummer Night's Dream (Blessed Unrest), Oph3lia (HERE, NY Innovative Award Nomination for Outstanding Ensemble). REGIONAL: R & J & Z, The Millay Sisters and Burt Dow, Deep Water Man, at Stonington Opera House (Opera House Arts), Maine. Joan has guest lectured at SVA, The New School, MIT and Colgate University and holds a MFA in Acting from Columbia University.
HARD SPARKS champions daring performances of adventurous new plays. Since 2011, the company has worked with fifty-one actors, nine playwrights, six directors, and eighteen designers on eleven productions in thirteen venues. Hard Sparks has been nominated for eleven New York Innovative Theatre Awards including Outstanding Premiere Production for Eightythree Down, Outstanding Short Script for Chicken-Fried Ciccone, and Outstanding Revival for R & J & Z. For more information, visit www.HardSparks.com
IRT THEATER is a grassroots laboratory for independent theater and performance in New York City, providing space and support to a new generation of artists. Tucked away in the old Archive Building in Greenwich Village, IRT's mission is to build a community of emerging and established artists by creating a home for the development and presentation of new work. Some of the artists we have supported include Young Jean Lee, Reggie Watts, and Mike Daisey. For info visit www.irttheater.org.
*This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, Office of Councilmember Corey Johnson and The Nancy Quinn Fund, a project of the Alliance of Resident Theatres/New York(A.R.T./New York)
Photo credit: Jody Christopherson
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