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ORPHAN'S HOME CYCLE Abandons Broadway Aspirations

By: Oct. 11, 2010
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In January, The New York Times reported that THE ORPHAN'S HOME CYCLE was aiming for a fall 2010 Broadway opening, after ruling out a spring 2010 opening. While the show had the opportunity to transfer from its current home Off-Broadway at the Signature Theatre into the Neil Simon Theatre on Broadway this past spring, the producers and director Michael Wilson opted to take the extra time to better prepare the show for the move.

Said Wilson to the Times in January: "We had a majority of the money in place, enough to move it this spring, but the bottom line was making sure there was enough time to properly market the production." 

Today, the daughter of ORPHANS' playwright Horton Foote has confirmed in the New York Times that the show is no longer being prepped for Broadway, stating: "The present climate simply isn't hospitable to presenting a three-part, nine-hour work...Despite the many awards and accolades we received, the money did not follow, owing I think to the sheer size of the production and the many logistical challenges it poses."

Daryl Roth and Jeffrey Richards were among the heavyweights were were endeavoring to bring the production to Broadway.

To read the full report in the New York Times, click here.


The world premiere production of THE ORPHANS' HOME CYCLE, a three part theatrical event by the Pulitzer Prize and Academy Award-winning playwright Horton Foote, was co-produced last season by Signature Theatre Company (James Houghton, Founding Artistic Director; Erika Mallin, Executive Director) and Hartford Stage (Michael Wilson, Artistic Director; Michael Stotts, Managing Director). Wilson directs a 22-member company in the historic, sweeping work.

THE ORPHANS' HOME CYCLE played through March 28, 2010 at Signature Theatre Company.  

Set in Foote's fictitious town of Harrison, Texas and based partly on the childhood of Foote's father and the courtship and marriage of his parents, THE ORPHANS' HOME CYCLE is a wide-ranging, intricate work that spans the lives of three families over three decades. All actors in the production play multiple roles and several track their characters through time in the various plays which comprise the Cycle.

THE ORPHANS' HOME CYCLE begins with a father's death in a small Texas town at the turn of the century, a loss that sends his son, Horace Robedaux, on an odyssey through the darkest corners of the heart as he learns to become a husband, father and patriarch.

The ensemble of THE ORPHANS' HOME CYCLE included Devon Abner, Mike Boland, Pat Bowie, Leon Addison Brown, James Demarse, Hallie Foote, Justin Fuller, Jasmine Amii Harrison, Bill Heck, Henry Hodges, Annalee Jefferies, Virginia Kull, Maggie Lacey, Gilbert Owour, Jenny Dare Paulin, Pamela Payton-Wright, Bryce Pinkham, Stephen Plunkett, Emily Robinson, Lucas Caleb Rooney, Dylan Riley Snyder and Charles Turner.

The design team for THE ORPHANS' HOME CYCLE included Jeff Cowie and David M. Barber (Set Design), David C. Woolard (Costume Design), Rui Rita (Lighting Design), John Gromada (Original Music and Sound Design), Peter Pucci (Choreography), Ralph Zito (Voice/Dialect Coach), Mark Olsen (Fight Director), Jan Hartley (Projection Design) and Mark Adam Rampmeyer (Wig and Hair Design).

Each part of the three part cycle will be staged individually as well as in repertory and one-day marathons. Audiences may choose to see the individual parts or the entire trilogy.

Foote completed work on THE ORPHANS' HOME CYCLE prior to his death on March 4, 2009 at the age of 92. The cycle features nine plays that were originally written as full-length pieces. Hartford Stage commissioned Foote in 2007 to adapt the plays in this new three-part form.

PART 1: THE STORY OF A CHILDHOOD begins at the turn of the 20th century and follows Horace Robedaux in his formative years. Part 1 begins with the plays Roots in a Parched Ground, Convicts and Lily Dale.

PART 2: THE STORY OF A MARRIAGE focuses on the courtship years of Horace Robedaux and his search for a wife. Part 2 consists of the plays The Widow Claire, Courtship and Valentine's Day.

PART 3: THE STORY OF A FAMILY begins with the turmoil of World War I and ends with the characters looking to the future of their family and land. Part 3 is made up of the plays 1918, Cousins and The Death of Papa.

Four of the individual plays, Roots in a Parched Ground, Convicts, Cousins and Valentine's Day, are being staged for the first time as part of the cycle.

Signature Theatre Company devoted its 1994-1995 season to Horton Foote, including the world premieres of The Young Man from Atlanta (for which Foote won the Pulitzer Prize) and Laura Dennis and the New York premieres of Night Seasons and Talking Pictures. Signature also produced the world premiere of his The Last of the Thorntons in its 2000-2001 Season, as well as the award-winning production of The Trip to Bountiful in 2005 during the company's 15th anniversary season.

Signature Theatre Company, founded in 1991 by James Houghton, exists to honor and celebrate the playwright. Signature makes an extended commitment to a playwright's body of work, and during this journey, the writer is engaged in every aspect of the creative process. Signature is the first theatre company to devote an entire season to the work of a single playwright, including re-examinations of past writings as well as New York and world premieres. By championing in-depth explorations of a living playwright's body of work, the Company delivers an intimate and immersive journey into the playwright's singular vision.

Signature has presented entire seasons of the work of Edward Albee, Lee Blessing, Horton Foote, Maria Irene Fornes, John Guare, Bill Irwin, Adrienne Kennedy, Romulus Linney, Charles Mee, Arthur Miller, Sam Shepard, Paula Vogel, August Wilson, Lanford Wilson, and a season celebrating the historic Negro Ensemble Company. Signature remains deeply committed to season-long residencies, and during the company's tenth and fifteenth anniversaries, Signature introduced the Legacy Program. The Legacy Program invites past Playwrights-in-Residence back to Signature through two series: the Signature Series, which presents "signature," or more well-known works; and the Premiere Series, which presents New York and world premieres.

Since 2005, Signature has been committed to presenting world-class theatre at an affordable price through The Signature Ticket Initiative, which will offer subsidized $20 tickets through the Company's twentieth anniversary season in 2011. The twentieth season will feature the work of Tony Kushner. Signature, its productions and its resident writers have been recognized with a Pulitzer Prize, eleven Lucille Lortel Awards, fifteen Obie Awards, five Drama Desk Awards, and twenty two AUDELCO Awards, among many other distinctions. The National Theatre Conference recognized the company as the 2003 Outstanding National Theatre of the Year. For more information on Signature please visit us on-line at signaturetheatre.org.

 

 







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