New York Live Arts, under the artistic leadership of MacArthur Genius Award and National Medal of Arts awardee Artistic Director Bill T. Jones and Associate Artistic Director Janet Wong, announced the organization's 2017-2018 season today.
Framing the season by the urgency of Creating in Confusing Times, Artistic Director Bill T. Jones explains his vision behind the season's programs. "New York Live Arts is a cultural organization in the intersection between art and activism. We create a platform, one founded in empathy, with the goal of providing opportunities for artistic expression and a safe place for the exchange of ideas. We hope that by encouraging lively and sometimes difficult conversations and by supporting artists and their varied perspectives and practice, a nuanced and multi-dimensional view of our world will emerge," states Jones.
New York Live Arts will open its season with Anne Teresa de Keersmaeker's A Love Supreme, a quest for an order of happiness and an homage to John Coltrane's musical creed. The season continues with a roster of current and incoming Live Feed commissioned artists - Bebe Miller, Jack Ferver, Joanna Kotze, Kaneza Schaal, Kimberly Bartosik and Rashaad Newsome, to name a few. The Bill T. Jones/Arnie Zane Company returns to BAM's Next Wave with the acclaimed A Letter to My Nephew.
Live Ideas, New York Live Arts' annual humanities festival of arts and ideas, will bring together artists, activists, and thinkers during five days of conversations, performances and cultural interventions to help us find and move with radical vision. Co-curated by Brian Tate and New York Live Arts in partnership with the Hannah Arendt Center Live Ideas: Radical Vision will be held April 18-22, 2018.
In addition to performance presentations, Live Arts continues its popular discussion series, Bill Chats and Open Spectrum, and will showcase talented choreographers and new work in development as part of Fresh Tracks and Live Artery. Randjelovic/Stryker Resident Commissioned Artist RoseAnne Spradlin will showcase work-in-progress studio showings of her new work and will remount her dynamic performance "X" as part of Live Artery.
Internationally acclaimed choreographer Anne Teresa De Keersmaeker opens the
Live Arts season with, A Love Supreme, her stunning spiritual exploration choreographed in collaboration with Salva Sanchis to John Coltrane's marvelous musical creed. In this compelling quartet, four dancers of De Keersmaeker's company Rosas embark on a search to find an order of happiness. Mysticism and sensuality as well as meditation and improvisation are the determining factors of the dance. A Love Supreme opens September 27 and runs through the 30th, 2017.
Bill T. Jones/Arnie Zane Company perform the internationally acclaimed A Letter to My Nephew as part of the BAM's Next Wave Festival, October 3-7, 2017. The piece sets a portrait of Jones's nephew Lance T. Briggs-a talented dancer who struggled with illness and addiction-against the political landscape of the present. Composed like a series of postcards sent home from a fabled liberal Europe, A Letter to My Nephew launches a swirl of images around Briggs' ever-present hospital bed: a vogue ball, a breathtaking vista, a scene of forced migration. Featuring Janet Wong's haunting projections, composer Nick Hallett's delirious score, and live performance by baritone Matthew Gamble and Hallett, Jones's cultural critique is rewritten for the time and place of every performance, flashing by each night like a feverish hour of the evening news.
2018 marks the 30th anniversary of the passing of Arnie Zane, co-founder and co-artistic director of the Bill T. Jones/Arnie Zane Company. To honor Mr. Zane's legacy, New York Live Arts will present events throughout its season celebrating Zane's life and work as a choreographer, photographer, and experimental filmmaker.
In an ongoing effort to support the creation of new work and nurture artists working in a multitude of perspectives at various levels of their career, New York Live Arts presents the work of seven artists commissioned through the institution's Live Feed creative residency program, a laboratory for the development of new work.
Bessie Award winner Walter Dundervill, known for his immersive performance environments fusing dance, costume, sound, and visual art, brings his latest work Skybox to the stage offsite at co-producer Pioneer Works, Brooklyn, October 20-22, 2017. Dundervill's new dance begins where his previous work ARENA left off - with a group of mysterious individuals gathered in the skybox of a stadium. Using ancient Roman frescoes, a 17th century mathematical theory, and a late mannerist painting as departure points, Skybox is a field for transformations of time, material, and perception.
Preeti Vasudevan brings her solo Stories By Hand to Live Arts, November 2-4, 2017. Vasudevan, who was born in Madras (now Chennai) in the south of India, is a leading exponent of Bharatanatyam, the classical Indian dance. Stories by Hand takes the hand gestures of Bharatanatyam as the basis for a storytelling dance-theater interweaving East and West, past and present, the mythic and the everyday. Stripping away some of the traditional trappings of the dance, her performance becomes uniquely intimate and private.
Fresh Tracks alumna Marjani Forte-Saunders teams up with media designer Meena Murugesan, sound designer Everett Saunders, set designer Mimi Lien, lighting designer Tuce Yasak, and her own father as set builder, to present her new solo Memoirs of a... Unicorn. In this provocative work she remembers, interrogates, and relishes in the properties of Black American magic and resilience. Spurred by stories of her Arkansas-born father's life, her new work is a dynamic evening of storytelling that weaves historic and personal narratives into an embodied tale of fragmented loss, warrior-ship, and abiding love. Memoirs of a... Unicorn will be presented offsite at the Collapsable Hole, West Village, November 15-19, 2017.
In their compelling and impassioned performance of Clear & Sweet, December 13-16, 2017, Live Feed artists zoe | juniper blend Zoe Scofield's visceral choreography and Juniper Shuey's cutting-edge videography with the raw, uniquely American tradition of Sacred Harp Singing, a tradition of sacred choral music that originated in the American South. Mixing live Sacred Harp singers with a stellar cast of dancers and performed in the round, this passionate work plays with constantly shifting points of perspective and highlights the strengths in community in a powerful search for redemption.
Choreographer Bebe Miller, honored with four Bessie awards and fellowships from the New York Foundation for the Arts, Ohio Arts Council and Guggenheim Foundation, and a United States Artists Ford Fellow, will bring The Making Room, an investigation into innovative ways of sharing the creative process to Live Arts, February 21-24, 2018. The project brings together Miller and choreographer Susan Rethorst, an internationally renowned teacher of choreography who has been instrumental in devising BA and post-graduate programs. The Making Room is the result of their joint experience of the choreographic process, each having worked within her respective creative methods to create their revealing investigation of the creative process.
Bessie award-winner (for the ravishing It happened it had happened it is happening it will happen), Joanna Kotze premieres her new interdisciplinary dance performance, What will we be like when we get there, March 28-31, 2018."The ruthlessly elegant dancer-choreographer..." (Time Out) performs with long-time collaborator Netta Yerushalmy (dance), visual artist Jonathan Allen, and composer/musicIan Ryan Seaton. Her compassionate new work is informed by the location where it is presented and explores physical, emotional, and artistic spectrums while reflecting on the desire for intimacy bringing attention to our desires, flaws, strengths, and fantasies.
Playful postmodernist writer, director, and choreographer Jack Ferver presents Everything is Imaginable, performed by a stellar cast: the American Ballet Theater principal James Whiteside, the Martha Graham Dance Company member Lloyd Knight, the dancer and costume designer Reid Bartelme, and Ferver himself. An interdisciplinary performance work, Everything is Imaginable explores being in a community that lives the outrageous queer dream, examining and juxtaposing the lives and virtuosity of four queer performers. The piece turns manic and poetic, addressing ideas of genre, sexuality, success, and friendship. Presented April 4-7, 2018.
New York Live Arts Live Feed creative residency program presents studio showings of new work in development by Kaneza Schaal, March 23 & 24, Kimberly Bartosik, April 13 &14, Rashaad Newsome, May 4 & 5, Netta Yerushalmy, May 11 & 12, Kota Yamazaki, May 18 & 19. Each showing takes place within the intimate working space of the Live Arts studio and is followed by a discussion with the artists moderated by special guests.
Live Ideas: Radical Vision will bring together artists, activists, thinkers, and philanthropists to examine a radical vision for the future. From conversations to performances to cultural interventions, the festival will add unique perspectives from diverse sectors, examining new ways forward to deepen understanding, enliven dialogue, and inspire further action in these politically divisive times. Co-curated by Brian Tate and New York Live Arts in partnership with the Hannah Arendt Center
Live Ideas: Radical Vision will be held April 18-22, 2018.
New York Live Arts popular series Bill Chats returns featuring Bill T. Jones in dialogue with writers, scholars, visual artists, and activists. It begins with a discussion between Bill T. Jones and British author and Booker Prize winner Salman Rushdie, January 22, 2018. Other discussions in the series will be held March 5, and May 21, 2018.
Live Arts continues the success of its Open Spectrum community dialogues. This season will bring together curators, producers, funders, and artists to discuss the who, what, why, and how of supporting and creating new work in our confusing era. The three panel discussions will be on November 6, December 4, and February 12, 2018.
Live Arts' Fresh Tracks performance and residency program continues its 53-year commitment to bringing new voices to the forefront. Fresh Tracks artists present their auditioned works on December 8 & 9, 2017. Aimed at providing career and residency support to emerging artists, the program begins with a series of career-oriented professional development workshops leading up to a debut showcase of previously created works and culminates in a workshop presentation of new works developed throughout the residency on June 15 and 16, 2018. Through Fresh Tracks, New York Live Arts provides a singular opportunity to new artistic voices to gain professional development, experience and recognition.
Live Artery, New York Live Arts' dynamic showcase of new and recent works created by Live Arts commissioned artists, opens January 12 and will run through January 15, 2018. Presented during the annual Association of Performing Arts Presenters conference, Live Artery 2018 will feature three full theater productions, two recently premiered works, and twelve new studio presentations by featured artists. Highlights include sneak preview presentations of work by Bill T. Jones and a remount of the critically acclaimed "X" by RoseAnne Spradlin.
As part of its Live Arts Plus, New York Live Arts presents programs by American Dance Festival, October 11-14, 2017 and May 10-12, 2018; Barnard/Columbia Dances, November 29-December 2, 2017; Lumberyard January & February 2018; and Lang Dance, May 4-5, 2018, among others.
For the performance schedule and additional information, please see below. NEW YORK LIVE ARTS is located at 219 West 19th Street, NYC (btw. 7th and 8th Avenue). Tickets start at $15 and may be purchased at 212 924 0077 or online at newyorklivearts.
NEW YORK LIVE ARTS 2017-2018 PERFORMANCE SCHEDULE:
September 27-30, 2018, 7:30PM
ANNE TERESA DE KEERSMAEKER:
A Love Supreme
Choreographed to John Coltrane's classic A Love Supreme, Anne Teresa De Keersmaeker's dance creation choreographed with Salva Sanchis is a captivating quartet that brings together improvised and composed materials, interweaving and absorbing them into one another. Danced by José Paulo Dos Santos, Bilal El Had / Robin Haghi, Jason Respilieux, Thomas Vantuycom.
New York Live Arts
New York, NY
(NYC Premiere)
Located in the heart of Chelsea in New York City, New York Live Arts produces and presents dance, music and theater performances in its 20,000 square-foot home, which includes a 184-seat theater and two 1,200 square-foot studios. New York Live Arts offers an extensive range of participatory programs for adults and young people and supports the continuing professional development of performing artists. New York Live Arts serves as home base for the Bill T. Jones/Arnie Zane Company and is the company's sole producer, providing support and the environment to originate innovative and challenging new work for the Company and New York's creative community.
Photo Credit: Bill T. Jones/Arnie Zane Company by Liza Voll
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