Organized by the New Museum's Department of Education and Public Engagement, R&D (Research and Development) Seasons allow artists and audiences to engage through research-based activities around objects, ideas, and artistic practices across multiple platforms.
Including artist residencies, exhibitions, live performances, conferences, screenings, online publications, after-school programs for teens, family day activities, and archival research by way of topical questions, Seasons are divided into Fall and Spring periods.
Each Season, in turn, is organized around a central theme, connecting various projects within a larger context that emphasizes process and emerging ideas. Anchoring the New Museum's dedication to expanded forms of knowledge and cultural production, Seasonal themes are wide-ranging and limber, rather than illustrative, and the artists, scholars, and curators whose work is examined test the limits of the themes themselves.
Past Season thematics have included ARCHIVES, VOICE, and CHOREOGRAPHY.
Upcoming R&D Seasons will explore SPECULATION (Spring 2015) and PERSONA (Fall 2015):SPRING 2015 R&D SEASON: SPECULATION The Spring 2015 R&D Season leads an investigative examination of the theme of SPECULATION via a range of programming centered around residencies with artists Chelsea Knight and Constantina Zavitsanos and culminating in an exhibition organized in collaboration with Taipei Contemporary Art Center. For this R&D Season, SPECULATION is considered for, among other things, its volatile relationship to faith and evocation of diverse possibilities for imagined futures, including alternative economies that focus on caregiving, collective labor, and new modes of distribution.March 28: Fall to Earth, Chapter 2-"Blasphemy," with Mathew Paul Jinks
April 18: Fall to Earth, Chapter 3-"Resistance," with Ryan Tracy
June 7: Fall to Earth, Chapter 4-"Violence," with Nick Hallett
June 20: Fall to Earth, Chapter 5-"Silence," with Christine Sun Kim
Two additional programs organized with Knight examine fiction as a way to forecast-and even change-the future. "Knight + Knight Latencies" is a performance that is part lecture, part dinner party, and part therapy session in which two female artists who share the same last name examine their symmetries and, in the process, some fundamentals around feminism and race. "Screening the Speculative" brings together filmmakers who are all pursuing, in various ways, the promise of disrupting notions of seamless, unified reality.
Constantina Zavitsanos: "THIS COULD BE US"
March-September 2015
Constantina Zavitsanos's residency "THIS COULD BE US" includes a series of research-driven programs organized around speculative concepts of planning, contingency, and care. Care is not only one of the primary sources of surplus value within capitalism, as feminists have argued, but is critical to the organization of society. "Still Life, a workshop" and "Vanitas, a rehearsal" are two live events organized with Park McArthur that expand ideas of debt and dependency in order to think more complexly about decay, cyclical relay, "premature aging," persistent immaturity, and other issues of development. Two Speculative Planning Sessions with Reina Gossett and invited speakers take up questions relating to debt, futurity, and the contingencies of chance, and include contributions from the Speculative Planning Study Group and teens participating in the New Museum Experimental Study Program. "Deferment & Late Arrivals," a screening and discussion with Caroline Key and Soyoung Yoon, foregrounds two films that address the reproductive labors of organizing: Grace Period (by Caroline Key and KIM KyungMook, 2014) and Finally Got the News (by Stewart Bird, Peter Gessner, and Rene Lichtman, in association with the League of Revolutionary Black Workers, 1970).
Taipei Contemporary Art Center: "The Great Ephemeral"
May 27-September 6, 2015
Fifth Floor Gallery
Established in 2010, Taipei Contemporary Art Center (TCAC) offers a local platform for artists, curators, scholars, and cultural activists to gather and evolve projects dedicated to the role of contemporary art within an international context. The Center has been invited to participate in a Hub residency to co-organize an exhibition for the New Museum focusing on issues of infrastructure and modes of production in art-making and reception today. The exhibition "The Great Ephemeral" will negotiate the role of "economics" (whether financial, symbolic, or alternative) in various artists' works while highlighting the deeply unquantifiable aspects of "value" itself.
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