"The book is a complete guide to writing the modern musical, explaining
the process of creating a show from finding and working out the initial
idea, to writing of both songs and libretto, to the ways in which
writers can market a finished show," state press notes. "Writing Musical Theater is
an essential resource for serious professionals and anyone else looking
to understand how a musical is written."
Part I is an analytical
survey, in which the various component parts of musical theater are
examined. General principles and specific techniques are discussed and
copiously illustrated.
Part II is a guide--a "how-to"
tutorial--that leads the reader step by step through the initial stages
of creating a musical, based on the principles elucidated in Part I and
using two musical projects created for the purpose as models.
"Writing
Musical Theater is the only book in print to give in-depth
explanations and illustrations, drawn from the writers own experiences
as composers, lyricists, librettists, musical directors, and educators."
Dr. Cohen has written scores for musicals, films, and plays, and he has
conducted or written dance music for six musicals on Broadway and many
others off-Broadway and elsewhere. His concert music has been performed
and recorded throughout the world. A former member of the BMI and ASCAP
Musical Theatre Workshops, Dr. Cohen is the author of Howard Hanson in
Theory and Practice and the children's book That's So Funny I
Forgot to Laugh!
Rosenhaus has written music and
lyrics for several musicals as well as incidental music for plays, film
scores, and commercials. His concert works have been performed
throughout the U.S., Canada, and Europe, and he has over 100 original
works and arrangements in print. Dr. Rosenhaus is Adjunct Assistant
Professor of Composition at New York University, teaching classical and
musical theatre composition, and he also teaches at Nassau Community
College (SUNY).