National Portrait Gallery to Stage THE GREAT WAR IN PORTRAITS, a National Exhibition of the First World War, 2/27-6/15

The National Portrait Gallery is to stage the first national exhibition of the First World War centenary commemorations in February 2014. The Great War in Portraits (27 Feb-15 Jun 2014) will be the start of a four-year public programme at the Gallery of displays and events, and workshops for young people, it was announced today Thursday 24 October.

Showing how the First World War was depicted and reported with a degree of visual detail unprecedented in the history of conflict, the exhibition includes photography and film as well as formal portraits. Rather than presenting a military history of the War, the Gallery aims to focus on the way the Great War was represented through portraits of those involved, an approach never previously adopted.

The Great War in Portraits takes an international perspective. As well as iconic portraits of Siegfried Sassoon, Wilfred Owen and Winston Churchill, the exhibition reflects the war experience of those from all social classes who served from throughout the Commonwealth and contrasts these portraits with rare important loans of major art works by Lovis Corinth and Max Beckmann and Kirchner's painting Selbstbildnis als Soldat (Self-portrait as a Soldier). These German expressionist masterpieces are strikingly exhibited together, for the first time, with Harold Gillies' rarely shown photographs of facially injured soldiers from the Royal College of Surgeons.

Highlights also include Jacob Epstein's The Rock Drill, one of the great early modernist works related to the War; a contrasted pairing of British and German films devoted to the Battle of the Somme never previously seen together; and a rare photograph by Jules Gervais Courtellemont depicting a deserted, battle-scarred landscape. The only work in the exhibition not to depict people, this poignant image is, in effect, a portrait of absence.

Starting with the eve of war, the exhibition includes imposing formal portraits of the heads of state of the participating nations, evoking those countries that would be drawn into the conflict in 1914. Such grand images are brought into sharp contrast with an understated press photograph of a pathetic-looking Gavrilo Princip, the 19-year-old student whose opportunistic assassination of Archduke Franz Ferdinand, on 28 June 1914 precipitated the First World War.

The Great War in Portraits shows how, following the declarations of war throughout Europe, power devolved from the heads of state to the military leaders of each country. Power-portraits of Haig, Blumer, Foch, Hindenburg and others, are contrasted with portraits of the 'followers,' by Sickert, Orpen and other war artists.

Portraits of Victoria Cross holders, medal-winners, heroes and aces are shown juxtaposed with depictions of those whose lives were marked in different ways: casualties, those disfigured by wounds, prisoners of war, and those shot at dawn for cowardice. The idealised language of formal portraits, used as celebration and eulogy, is brought into violent discord with those images, such as a selection of Henry Tonks's pastels of servicemen grotesquely disfigured by wounds, that reveal individual suffering and the human cost of war.

An installation of 40 photographs in a regular grid formation presents a range of protagonists from medal winners and heroes to the dead and the executed, interspersed with artists, poets, memoirists and images representing the roles played by women, the home front and, the Commonwealth.

Key loans have been secured from Imperial War Museums, Tate, Städtische Galerie im Lenbachhaus undKunstbau, Munich, Allen Memorial Art Museum, the Royal Airforce Museum, Hendon, Oberlin College, Ohio, The Fitzwilliam Museum, Cambridge and the Scottish National Gallery of Modern Art.

The exhibition and the Gallery's First World War activities are part of First World War Centenary, the national partnership of commemorative events www.1914.org

The exhibition is curated by Paul Moorhouse, Curator of Twentieth Century Portraits, National Portrait Gallery,London. He says: 'The Great War in Portraits explores a complex range of human experience. Evolving different roles, responsibilities and destinies, it illuminates the way war was represented through portraits of individuals - each caught up in events beyond reason or control.'

Press View: 26 February 2014, 10am-12pm (with tour at 10.30am).

THE GREAT WAR IN PORTRAITS

27 Feb-15 Jun 2014, at the National Portrait Gallery, London www.npg.org.uk Admission free

PUBLICATION

The exhibition will be complemented by a fully-illustrated book by Paul Moorhouse with an essay by Sebastian Faulks and will be available to purchase from the National Portrait Gallery bookshop priced £18.95 paperback.

The Gallery has also programmed a range of activities around the exhibition and the Centenary. As well as displays devoted to women at war and wartime photographs these also include:

NATIONAL MEMORY - LOCAL STORIES

National Memory - Local Stories is a creative participation project, funded by the Paul Hamlyn Foundation, and led by the National Portrait Gallery, London, in partnership with Media 19 and five national and local area museums across the UK: National Museums Northern Ireland, National Museums Scotland, Amgueddfa Cymru - National Museum Wales, The Rifles (Berkshire and Wiltshire) Museum and Redbridge Museum. This innovative project explores how the discovery of locally relevant objects from museum collections, via creative digital media production workshops, can engage young people and artists in responding to significant moments in the history of the First World War.

KEEP THE HOME FIRES BURNING (Jul - Dec 2014)

This display will comprise over 25 photographs from the period leading up to and during the Great War and explore, through established performers who topped the music hall variety bills and the rising stars of musical revues and comedies, the part played in the war effort by the music halls - the "silly patriotic music halls" as described by Siegfried Sassoon. The selection will include portraits of established stars of the music hall stage, notably: male impersonator and 'Britain's best recruiting sergeant' Vesta Tilley, and her husband Walter de Frece, who was knighted for his services to the war effort; Ivor Novello; Marie Lloyd; Florrie Forde; tenor John McCormack; Ella Shields and Harry Lauder who was one of the most prodigious performers during the War.

MUSIC

The Portrait Choir will give two special performances devoted to, or inspired by the First World War. One will include readings of war poetry interspersed by excerpts from Handel's war oratorios. And the other will include the world premiere of a new musical commission setting texts from the period. The Friday Late Shift music programme will also include vocal and chamber music from the war years and aftermath including Ravel's Le Tombeau de Couperin - a piano suite for friends lost in the war. Performers include violinist Peter Sheppard Skaevard.

EVENTS

The exhibition will have a dedicated programme of associated events and talks taking place throughout its display period at the Gallery.

For further Press information, please contact: Neil Evans, Media Relations Manager, National Portrait Gallery: Tel. 020 7 312 2452 (not for publication) / Email nevans@npg.org.uk