The Film Society of Lincoln Center and Subway Cinema announced today the complete lineup for the 16th New York Asian Film Festival (NYAFF), which will take place from June 30 to July 13 at the Film Society and July 14 to 16 at the SVA TheatrE. North America's leading festival of popular Asian cinema will showcase 57 feature films, including 3 International Premieres, 21 North American Premieres, 4 U.S. Premieres, and 15 films making their New York City debuts. The festival will feature in-person appearances by more than 20 international filmmakers and celebrity guests from mainland China, Hong Kong, Taiwan, South Korea, Japan, and Southeast Asia.
This year, all three of NYAFF's Gala screenings are brilliant reinventions of the thriller genre. The Opening Gala will be the International Premiere of Nattawut Poonpiriya's Bad Genius, the first Southeast Asian film to open the festival, with the director and stars in attendance. In this exhilarating high-school thriller, straight-A students Lynn (Chutimon Chuengcharoensukying) and Bank (Chanon Santinatornkul) stage a heist that will undermine the U.S. university entrance system after they lose their own scholarships.The Centerpiece Gala of the festivalwill be the North American Premiere of Mikhail Red's Birdshot, a continuation of the festival programmers' efforts to champion films from Southeast Asia, and the Philippines in particular. The Closing Gala is the U.S. Premiere of Jung Byung-gil's The Villainess, fresh from its Midnight screening in Cannes. The adrenaline-soaked action film stars Kim Ok-vin as a ruthless female assassin trained in China who starts a new life with South Korea's Intelligence Agency.
New to NYAFF in 2017 is the Main Competition section, featuring seven diverse works by first or second-time directors that are all having their North American premieres at the festival. Competing are Bad
GENIUS (Thailand), Birdshot (Philippines), A Double Life (Japan), The Gangster's Daughter (Taiwan), Kfc (Vietnam), Jane (South Korea), and With Prisoners (Hong Kong). The competition jury will be announced at a later date, with winners revealed on the festival's final night at Film Society of Lincoln Center on July 13.
"We were seeking a range of original films from young, first-time directors, films that represent the diversity of filmmaking from Asia, stories that say something both very local and specific to their countries of origin and something very universal: we hope we achieved at least some of this with our inaugural competition selection, which includes films from seven countries/cities in the region in a broad variety of genres," NYAFF executive director Samuel Jamier said. "It's important for us to champion new filmmaking from Asia, and the diversity of film made there at a time when other festivals in
NORTH AMERICA seem to be reducing the size of their Asian lineups."
More now than ever, Hong Kong cinema is at the core of the festival's programming: faithful to its Chinatown origins, this year's edition celebrates the best filmmaking from the Special Administrative Region with a central Hong Kong Panorama section, commemorating the 20th anniversary of its establishment, with major support from the Hong Kong Economic and Trade Office in New York. Over the past two decades, Hong Kong cinema has continuously influenced and inspired many filmmakers in Asia and in the world. This year's lineup proves the originality and excellence of its production is intact: from a powerful condemnation of life inside the territory's juvenile detention centers (With Prisoners), to a wartime epic about resistance heroes during the Japanese occupation (Our Time Will Come), to a tale of corruption and redemption set in the underbelly of 1960s Hong Kong (Dealer/Healer), the films bear testimony to the city's rich cinema history.
The core of the panorama will be a special (and first of its kind) focus on the exciting new generation of directors, titled Young Blood Hong Kong. As part of the 20th anniversary, the festival is looking to the future of Hong Kong cinema, rather than its past: these recent Hong Kong directors are working in various genres, tackling a range of social issues, and paying homage to the film traditions they grew up with, from tenement dramas to vampire comedies. Meanwhile, NYAFF continues to bring established, major filmmakers from the region: Lawrence Lau, who, along with
Ann Hui, is one of Hong Kong's best neorealist directors, will be introducing his star-studded crime action drama Dealer/Healer; the Panorama will spotlight the new generation from the region with guest filmmaker Wong Chun and screenwriter Florence Chan with Mad World, Derek Hui with This Is Not What I Expected, and Alan Lo with Zombiology: Enjoy Yourself Tonight. Other films by first-time Hong Kong directors in this year's lineup are Derek Tsang's Soul Mate, Yan Pak-wing and Chiu Sin-hang's Vampire Cleanup Department, and
Andrew Wong's With Prisoners.
The 2017 lineup also includes five LGBTQ-themed films: two dramas with transsexual protagonists, Naoko Ogigami's Close-Knit from Japan, and Cho Hyun-hoon's drama Jane from South Korea; two coming-of-age high-school youth dramas, Ahn Jung-min's Fantasy of the Girls from South Korea, and Leste Chen's 2006 Eternal Summer from Taiwan, which merits a second look a decade on; and Lee Sang-il's wild and violent mystery thriller Rage, featuring Go Ayano (NYAFF 2016 Rising Star Asia awardee) as a homeless stranger invited into the home of a semi-closet
Ed Salaryman (Satoshi Tsumabuki) as his live-in-lover.
Another highlight of this year's festival are three films that celebrate Japan's unique "Roman Porno" genre, each having their North American premieres: Aroused by Gymnopedies, Dawn of the Felines, and Wet Woman in the Wind. Nikkatsu, Japan's oldest film studio, is celebrating 45 years since they birthed the softcore Roman Porno genre (roman derives from the French word for novel). Invented to save a dying industry, they gave carte blanche to directors with minimal rules: keep it under 80 minutes with a sex scene every ten. This allowed for wild stream of consciousness works of both the highest and lowest caliber. Now, Nikkatsu has enlisted top contemporary talent for the Roman Porno Reboot Project, taking the provocative, envelope-pushing format to a whole new level.
