Michael Mao Dance Announced Ailey Citigroup Theater

MICHAEL MAO DANCE begins its 26th year with a program of major Mao dances, including D.S.C.H., called "a stunning work to Shostakovich's String Quartet #8" following its 1994 debut, along with other works to music by Kurt Weill, and Taiko drumming, May 24 & 25 at the Ailey Citigroup Theater, 405 West 55 Street.

Following its 1994 premiere, Mao's D.S.C.H. was described by writer Hilary Ostlere as "a stunning work...edgy, off-balanced, effective choreography, running, stumbling, escaping or in hot pursuit...a mad dash toward freedom." Ostlere concluded that "Michael Mao's dance works hold significance for all of us." (Chelsea Clinton News).
Mao originally choreographed the work in 1994 in preparation for a tour of Israel, but finds that it is totally relevant for America today.

Dedicated to victims of fascism and war by composer Dimitri Shostakovich, the music was composed in Dresden shortly after the composer was forced to join the Soviet Communist Party of the then Soviet Union. The quartet soon achieved its place in history as Shostakovich's cry against the holocaust and oppression.

On a lighter note are three Mao works: Weaving, set to big drums known as Taiko. The work was performed at the Edinburgh Festival, where the critic for the Edinburgh Festival Magazine found that the "powerhouse Michael Mao dancers leave the audience begging for more."

Riddles is set to Kurt Weill's cantankerous Threepenny Suite. Commissioned for one of the Company's Paris performances, the work celebrates women and a battle of the sexes in 2019;

Written on the Wind is a modern fable that follows three individuals on separate paths on which they encounter one another. Audience members invariably come up with their own interpretation of the story, but interestingly, each person's story is individual and different than others. Music is by composer Huang Ruo, visuals by Shawn Duan.

MICHAEL MAO began choreographing in 1973 under the tutelage of Toby Armour, and has since created over 60 works which have been presented throughout the U.S., Edinburgh, the UK, Paris, Stockholm, Australia, Italy, Hong Kong, and throughout China. Mao left his native Shanghai at the age of five and received his dance training in the U.S. A. at the Graham School, Cunningham Studio, and the Joffrey School. He danced for Toby Armour's Boston-based company from 1971 to 1986, appearing in works by Armour, Carolyn Brown, James Waring, Remy Charlip, Lotte Goslar, and others. Mao's works have been commissioned by, or re-set for numerous companies, including the National Ballet of Kosovo, the Hong Kong Ballet, Cafe de la Danse in Paris, the Festival Internacional Cervantino of Mexico, and more. In addition to touring and creating works, Michael Mao Dance has for decades undertaken long term award-winning arts learning projects, including the NEA National Model Project ESLdance to assist teen immigrants learn English through movement, the audience outreach MULTICULTURAL-FUSION.

The Company's artistic and outreach activities have been supported by the NYC Dept. of Cultural Affairs, the NYS Council on the Arts, the NEA, the Soros Foundations, New England Foundation. Mass. Council on the Arts, Cambridge Arts Council, Center for Arts Education, Dunwalkie-Dillon Trusts, Palmolive-Colgate, Philip Morris, Seth-Sprague, State Street Bank, and IBM.
www.MICHAELMAODANCE.ORG