MELVILLE'S BILLY BUDD AT 100 Announced At The Grolier Club NYC

This fall, the Grolier Club will present an exhibition commemorating the centenary of an American literary classic: Herman Melville's novella Billy Budd (1924).

On view in the Grolier Club's second floor gallery from September 12 through November 9, 2024, Melville's Billy Budd at 100 highlights the “prose and poem concoction” left unfinished on Melville's desk at his death in 1891.

Posthumously published in 1924, Billy Budd is the story of a young “Handsome Sailor” impressed into the British Navy during the Napoleonic Wars in the late 18th century, falsely accused of mutiny, and hanged after a drumhead trial for striking and killing his accuser.

The exhibition is curated by Grolier Club member William Palmer Johnston from his extensive Melville Collection and features more than 50 items, including multiple scholarly editions of the Billy Budd manuscript, illustrations, photographs, dust jackets, movie posters, an opera libretto, playbills, a commemorative stamp, unique fine bindings for limited editions, and original artwork by Barry Moser and Duke Riley.

“The exhibition highlights the progression of the composition, preservation, ‘discovery,' and ongoing transmission of Melville's Billy Budd, a singular work of art,” said curator William Palmer Johnston. “The challenging nature of Melville's unfinished narrative compels us to join in the ongoing struggle to make sense out of the ambiguities and to find meaning in a world of fog and paradox.”

Exhibition Highlights

 

Melville's Billy Budd at 100 traces the century-long journey of the published novella, from editorial print and digital transcriptions of the unfinished manuscript leaves; to studies in book history, biography, textual scholarship, and critical interpretations; as well as artistic adaptations for illustrated editions, theater, opera, and film.

On view are scholarly editions of the manuscript in five ground-breaking publications, beginning with the 1924 Constable first edition, titled Billy Budd, Foretopman. What Befell Him in the Year of the Great Mutiny, Etc.—a title Melville is now known to have discarded. Most recent is the 2019 Melville Electronic Library online “fluid text” edition, compiled through a nine-year scholarly analysis of the original manuscript leaves and Melville's myriad revisions to explore the author's creative process.

Many editions of the Billy Budd books on view have dust jackets illustrated with maritime imagery and ropes that foreshadow Billy's fate, such as the curving ropes on the cover of the 1946 John Lehman edition, and a dark noose hanging over a ship on the 1962 University of Chicago Press Phoenix paperback edition. Visitors can compare artist Duke Riley's scrimshaw-inspired original study drawing for the cover of the 2016 Penguin Classics edition to the final book design, in which Riley added a noose in the foreground, replaced a rat with a dove, and added a starry heavenly backdrop.ï»ż

Poetry was Melville's primary literary focus in the last decades of his life and the novella concludes with the classic poem “Billy in the Darbies,” which Robert Penn Warren declares as “certainly Melville's most nearly perfect poem.” On view in the exhibition are the signed typescript of W. H. Auden's 1939 poem “Herman Melville,” which includes the lines “And we are introduced to Goodness every day 
 He has a name like Billy and is almost perfect,” as well as a broadside of the poem with artist Barry Moser's illustrations of a condemned Billy with the shadow of a noose and of a sinking shroud.

The exhibition also features publicity posters from the 1962 Allied Artists' film production of Billy Budd, starring Robert Ryan, Peter Ustinov and Terence Stamp as Billy in his screen debut, as well as the U.S. postage stamp portrait of Herman Melville, issued in 1984 as part of the USPS Literary Arts Series, with an envelope including a scene from Billy Budd.

Publication & Programming

Accompanying the exhibition is a catalogue by Johnston, with a frontispiece portrait of Melville by Barry Moser and color photographs of select items, published by the Grolier Club in a signed limited edition of 25 and 350 additional copies. Also available is the new broadside featuring the poem “Billy in the Darbies” and two drawings by artist Barry Moser.

The Grolier Club will host related free public programs, including lunchtime exhibition tours on September 12 and October 10, at 1pm. A symposium on October 9 will feature a panel of prominent Melvillians, including John Bryant, Colin Dayan, David Greven, G. Thomas Tanselle, and Henry Wessells, moderated by Richard Brodhead. More details can be found at http://grolierclub.eventbrite.com.

Following the Grolier Club, the exhibition will travel to Oberlin College Libraries in Ohio from November 17 through December 20, 2024.

About The Grolier Club

Founded in 1884, the Grolier Club is America's oldest and largest society for bibliophiles and enthusiasts in the graphic arts. Named for Jean Grolier (1489/90-1565), the Renaissance collector renowned for sharing his library with friends, the Club's objective is to promote “the study, collecting, and appreciation of books and works on paper.” Through the concerted efforts of an international network of over eight hundred men and women—book and print collectors, antiquarian book dealers, librarians, designers, fine printers, binders, and other artisans—the Grolier Club pursues this mission through its library, its public exhibitions and lectures, and its long and distinguished series of publications.