Stephen Sondheim is widely acknowledged as the most innovative, most influential, and most important composer and lyricist in modern Broadway history. He is the winner of an Academy Award, numerous Tony Award, multiple Grammy Awards and a Pulitzer Prize. Some of his other accolades include a Lifetime Achievement Award from the Kennedy Center Honors (1993), the National Medal of Arts (1996), the American Academy of Arts and Letters' Gold Medal for Music (2006) and a special Tony Awardâfor Lifetime Achievement in the Theatre (2008).
Sondheim recently celebrated is 80th birthday on Monday, March 22, 2010. In his honor, theater companies all over the world are producing his works and hosting galas in celebration. The U.K. Guardian recently caught up with several of Sondheim's oldest collaborators and friends, Angela Lansbury, Trevor Nunn, Rebecca Front, and John Logan, and asked them to share some of their favorite Sondheim memories.
Says Lansbury, currently starring on Broadway in Sondheim's A Little Night Music: I feel as if I was born into musical theatre with Stephen literally holding my hand - because Anyone Can Whistle was my premiere performance in a Broadway musical...He is a generous, warm-hearted person and his contribution to theatre is immeasurable.
Says Nunn, who directed the current revival of A Little Night Music on Broadway: "Stephen came to a preview. It was electrifying: we were exhilarated, but worried that what we were doing wasn't what he meant. He was very emotional and congratulatory, though, which was gratifying.
Stephen is a writer you can readily bracket with Shakespeare and Chekhov. He should not to be thought of as a writer of musicals, but as a writer of theatre who understands all its possibilities, and who has extraordinary wit and insight into character. As we enter the 21st century, his status as one of the greats is absolutely secure."
To read the full report in the Guardian, click here.
Stephen Sondheim wrote the music and lyrics for Road Show (2008), Passion (1994), Assassins (1991), Into the Woods (1987), Sunday in the Park with George (1984), Merrily We Roll Along (1981), Sweeney Todd (1979), Pacific Overtures (1976), The Frogs (1974), A Little Night Music (1973), Follies (1971; revised in London, 1987), Company (1970), Anyone Can Whistle (1964) and A Funny Thing Happened on the Way to the Forum (1962), as well as the lyrics for West Side Story (1957), Gypsy (1959), Do I Hear a Waltz? (1965) and additional lyrics for Candide (1973). Side by Side by Sondheim (1976), Marry Me a Little (1981), You're Gonna Love Tomorrow (1983) and Putting It Together (1993/99) are anthologies of his work, as is the new musical Sondheim on Sondheim. He composed the film scores of Stavisky (1974) and Reds (1981) and songs for Dick Tracy (Academy Award, 1990). He also wrote songs for the television production "Evening Primrose" (1966), co-authored, with Anthony Perkins, the film The Last of Sheila (1973) and, with George Furth, the play Getting Away with Murder (1996), and provided incidental music for the plays The Girls of Summer (1956), Invitation to a March (1961) and Twigs (1971). He won Tony Awards for Best Score for a Musical for Passion, Into the Woods, Sweeney Todd, A Little Night Music, Follies and Company. All of these shows won the New York Drama Critics Circle Award, as did Pacific Overtures and Sunday in the Park with George, the latter also receiving the Pulitzer Prize for Drama. Saturday Night (1954), his first professional musical, finally had its New York premiere in 1999 at Second Stage Theatre.
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