This year's Rough Draft Festival at LaGuardia Performing Arts features a vast array of new work that are various stages of development
Rough Draft Festival is one of a kind series curated by LPAC's Associate Director Handan Ozbilgin. The projects are at various stages of development and are tantamount to a finished product. A window into the creative process, The Rough Draft Festival is a celebration of artists/organizations and their work under development. Rd features a wide array of artists whose work is at various levels of development. Each year we strive towards being bigger and better while giving a voice to meaningful works.
Performance Schedule:
Monday March 26th - April 21st
Performances at 7PM
Visit http://siteline.vendini.com/site/lpac.nyc/rough-draft-2018-first-page for details
Location: Rough Draft Festival is performed at LaGuardia Performing Arts Center at
LaGuardia Community College 31-10 Thomson Ave. E-241 in Long Island City. 7 train to
33 St / Rawson St.
Tickets: $10
The Yacoubian Building (Staged Reading)
A play by Kareem Fahmy
Based on the novel by Alaa Al Aswany
Directed by Kareem Fahmy
Original Music by David Dabbon
Performances: Monday March 26th at 7pm/ Tuesday March 27th at 2pm in the Little Theatre
Based on the novel that became an international sensation, "The Yacoubian Building" is set in Cairo, chronicling the lives of Egyptians of different religions, sexual orientations, and class backgrounds. The titular apartment block becomes a microcosm of an Egypt infested with corruption, discrimination, and despair. A love letter to the Middle East, the play conjures an Egypt before the Arab Spring, still on the brink of change, deeply divided but full of hope.
Paradise Lost
Directed by Eamon Foley
Co-Choreographed by Sophie Andreassi
Performances: Wednesday March 28th and Thursday March 29th at 7pm in the Blackbox Theatre
Paradise Lost is an immersive experience lead by dance, computer software, and live cinematography, in which the audience's bodies and imaginations are active participants. Derived from John Milton's epic poem of the same name, Paradise Lost chronicles the fall of man from the perspective of a brooding, young Lucifer. His attempt to cut ties with God initiates our transformation from complacent purity toward a more complicated, flawed existence. We remain caught between the diametric forces of good and evil, embodying a different beauty.
On loss and Mice and Monsters and Love
Written by Emily Zemba
Directed by Lauren Z. Adleman
Performances: Tues April 3rd , Wed April at 7pm in the Little Theatre
Join Claire and Hugh as they balance both: expertly avoiding emotional baggage, navigating painful interactions with over-the-top exes, and concealing small furry corpses in strategic hiding places. But as the body count rises, Clare and Hugh struggle to ignore the secrets between them (that and the overpowering stench of rotting flesh). Is romance the greatest exterminator of them all? Or is this one infestation that won't be contained...
Salesman??
Conceived by Michael Leibenluft & Jeremy Tiang
Written by Jeremy Tiang
Produced in association with Gung Ho Projects with support from the 14th St Y
Performances: Thurs April 5th, Friday April 6th and Saturday April 7th at 7pm in the Blackbox Theatre
Cultural collisions abound as Arthur Miller and Ying Ruocheng, a titan of Chinese theater, mount a Mandarin production of Death of a Salesman in Beijing. What happens to a classic American play when it's removed from its original context, and how far can China understand the American dream in 1983, just a few years after the Cultural Revolution? A tale of two very different societies making contact through theater, based on actual events.
*In Mandarin and English*
How We Hear
Directed by Emily Lyon
Performances: Friday April 6th at 7:30pm & Saturday April 7th at 5:30pm in the Little Theatre
From Abraham Lincoln to Trump's Twitter feed, How We Hear is an experimental piece about how our political discourse has changed in response to technology. The piece asks, particularly when debating such weighty issues as civil rights, how we can value and protect nuance in a world of 140 (or 280) characters?
Dreamscapes
Directed by Noelle Ghoussaini
Co-Created by Noelle Ghoussaini & Heather Holmes
Performances: Monday April 9th & Tuesday April 10th at 7pm in the Little Theatre
Who says dreams have no meaning? Who told you time is linear and not divine? This here is vivid. This here can lead us toward... "Where are you going?" To find the key to our house, our home. Do you want to look? We seek wholeness in a fragmented world. Aw, c'mon little dreamer, just adapt. Let us plant a flag in your brain and call the whole thing our conquered territory. Wait. Stop... what?
Rokera: The Musical
Written by Tatiana Suarez-Pico
Directed by Estefanía Fadul
Performances: Wednesday April 11th & Thursday April 12th at 7pm in the Blackbox Theatre
Brooklyn-born Lulu, Mickey, and Bella want to be superstars, but they also want to go to college, and date, and go crazy because that's what you do when you're 18. When Lulu's mom decides to go back to her native Colombia for mysterious reasons, Lulu's world is turned upside down. Mickey and Bella come to Lulu's aid, but soon they're facing problems of their own. Rokera is about growing up and growing tough; a transformative rock musical.
Gonzo
Written by Laura Winters
Directed by Noam Shapiro
Performances: Friday April 13th & Saturday April 14th at 7pm in the Little Theatre
On the eve of Alba's eighteenth birthday and first professional porn shoot, her role model Chantal returns to Miami determined to make a comeback. When a new girl's arrival complicates Chantal's plan, their shared house transforms into a battleground over what gets filmed and who gets screwed. Laura Winters' new play is a frank and funny look at sex and feminism in the digital age.
Songs About Trains
Created by Radical Evolution
Directed by Rebecca Martinez & Taylor Reynolds
Performances: Tuesday April 17th at 7pm & Wednesday April 18th at 3pm & 7pm in the Blackbox Theatre
"Songs About Trains" is a celebration of the many cultures that contributed to the building of the cross country rail system in the United States. Through music and performance, "Songs About Trains" grapples with the thorny realities of immigration, labor, Manifest Destiny, and pillaging of Native American land that are central to our history, and uplifts the victories of a multicultural, multilingual workforce that made our country what it is today.
Stepchild: A New Musical
Music & Lyrics by David James Boyd
Book by David James Boyd & Chad Kessler
Concept by David James Boyd, Chad Kessler and Kori Rushton
Directed by Kim Weild
Director of Artistic Sign Language- Alexandria Wailes
Musical direction by Dan Pardo
Performances: Wednesday April 18th at 7pm, Thursday April 19th at 3pm & Friday April 20th at 7pm in the Little Theatre
In this sweeping musical tale, Orella is born deaf at the brink of the Italian Renaissance. Her journey takes her through a childhood of poverty, an adolescence in hiding, and a young adulthood at an asylum for the "cursed". However, her drive to learn and her courage to communicate with Sign Language unites a broken kingdom, and Orella is ultimately crowned the world's first proud Deaf queen.
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