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Audiences will have the opportunity to grab a sneak-peek of the legendary multi-platinum recording artist Patti LaBelle in the Award-winning Broadway musical Fela! on Wednesday, September 8 and Thursday, September 9, both at 8pm. Ms. LaBelle's run with the show (playing Fela's mother, Funmilayo) officially begins on September 14, as previously announced. Fela! received three 2010 Tony Awards, including Best Choreography, Best Costume Design and Best Sound Design. The show is currently playing at Broadway's Eugene O'Neill Theatre (230 West 49th Street) where it opened to rave reviews on November 23, 2009. Tickets for Fela! on Broadway are available through Telecharge.com, or by calling (212) 239-6200 or in-person at The Eugene O'Neill Box Office, located at 230 West 49th Street.
PLEASE NOTE - NEW PEFORMANCE SCHEDULE BEGINS SEPTEMBER 7: Tuesday at 7pm; Wednesday - Friday at 8pm; Saturday at 2pm & 8pm; Sunday at 2pm & 7:30pm."I am both thrilled and honored to be joining the cast of Fela! on Broadway. After seeing the show, I was struck by the choreography and work of Bill T. Jones, and the passion and joy that overflows from the stage. Fela's mother, Funmilayo, was a strong, truly inspiring woman and I am so privileged to be able to pay tribute to her on the Broadway stage."September 7 - October 24: Tuesday at 7pm; Wednesday - Friday at 8pm; Saturday at 2pm & 8pm; Sunday at 2pm & 7:30pm.
October 26 - October 31: Tuesday at 7pm; Wednesday at 2pm & 8pm; Thursday - Friday at 8pm; Saturday at 2pm & 8pm;Sunday at 3pm.
November 2 - November 21: Tuesday at 7pm; Wednesday - Friday at 8pm; Saturday at 2pm & 8pm; Sunday at 2pm & 7:30pm.
November 23 - November 28: Tuesday at 7pm; Wednesday at 2pm & 8pm; Friday at 8pm; Saturday at 2pm & 8pm; Sundayat 3pm. (No Performance on Thursday, November 25.)
November 30 - December 19: Tuesday at 7pm; Wednesday - Friday at 8pm; Saturday at 2pm & 8pm; Sunday at 2pm & 7:30pm.
December 21 - December 26: Tuesday at 7pm; Wednesday at 2pm & 8pm; Thursday at 8pm; Saturday at 2pm & 8pm; Sunday at 2pm & 7:30pm. (No Performance on Friday, December 24.)
December 28 - January 2: Tuesday at 7pm; Wednesday at 2pm & 8pm; Thursday at 8pm; Saturday at 2pm & 8pm; Sunday at 2pm & 7:30pm. (No Performance on Friday, December 31.)
Tickets range from $27 - $127 (prices include a $2 Jujamcyn Theatre facility fee) and can be purchased online atwww.Telecharge.com, by phone (212) 239-6200 or in-person at The Eugene O'Neill Box Office, located at 230 West 49th Street. For more information about Fela! please visit www.FelaOnBroadway.com. Fela Anikulapo-KutiFela was educated in Nigeria amongst the indigenous elite. Ironically, many of his classmates in his Nigerian school would become the very military leaders he so vociferously opposed.
With medical aspirations for their offspring (Fela's older brother, Koye, was to become a Deputy Director of the World Health Organization and his younger brother, Beko, President of the Nigerian Medical Association) in 1958 Fela's parents sent him to London for a medical education. Instead, he registered at Trinity College's school of music where he studied composition and chose the trumpet as his instrument. Quickly tiring of European composers, Fela, struck by MiLes Davis and Frank Sinatra, formed the Koola Lobitos in 1961, and his band became a fixture in London's club scene. Two years later, Fela returned to Nigeria, restarted the Koola Lobitos, and became influenced by James Brown. Trying to find an authentic musical voice, he added elements of traditional Yoruba, high life and jazz, and "Afrobeat" was born. In 1969, Fela's Koola Lobitos traveled to Los Angeles to tour and record. During his eight months in the US, with LA as a home base, Fela befriended Sandra Isidore, who introduced him to the writings and politics of Malcolm X, Eldridge Cleaver and other proponents of Black nationalism and Afrocentrism.
With this new politically explicit and critical worldview, Fela reformed the Koola Lobitos as Nigeria 70 and returned to Lagos. He founded a commune/recording studio called the Kalakuta Republic, complete with his own private nightclub, The Shrine, and Fela dropped his given middle name "Ransome," and replaced it with a Yoruba name "Anikulapo" (meaning "he who carries death in his pouch"). Playing constantly and recording at a ferocious pace, Fela and band (who were now called Africa 70) became huge stars in West Africa and beyond. His music served as a rallying cry for the disenfranchised, critiquing the military government, and made Fela not only a pop star but thrust him into political life. People took to the streets singing his songs and the military responded by viciously harassing Fela, jailing him and nearly killing him on several occasions.
In 1977, during a government-sanctioned attack on his Kalakuta Republic commune, Fela and other members of his commune were arrested; Fela himself suffered a fractured skull as well as other broKen Bones; a number of women living at Kalakuta were beaten and raped; and his 82-year old mother was thrown from an upstairs window, inflicting injuries that would later prove fatal. The soldiers set fire to the compound and prevented fire fighters from reaching the area. Fela's recording studio, all his master tapes and musical instruments and the only known copy of his self-financed film Black President were destroyed.
After the Kalakuta tragedy, Fela briefly lived in exile in Ghana, returning to Nigeria in 1978. A year later, he formed his own political party, MOP (Movement of the People) and ran for president in two elections, although his campaigning was consistently blocked by the military. As the '80s ended, Fela recorded blistering attacks against Nigeria's corrupt military government.
Fela Anikulapo-Kuti was arrested more than two hundred times in his life, and charged with almost every conceivable crime, although only serving one eighteen month sentence in jail for a currency violation. Despite this constant harassment he continued to live in Nigeria even though, as an icon in the international world of rock and roll, soul, jazz and hip-hop, he could have at any point abandoned Nigeria and led the life of an international music superstar. His death on August 3, 1997 of complications from AIDS deeply affected musicians and fans internationally, as a unique and ineffable musical and sociopolitical voice was lost. In Nigeria one million people attended his funeral. His incredible body of work, almost 70 albums, is now available, through public demand, all over the world.
Photo Credit: Walter McBride/Retna Ltd.
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