LA Times on SPIDER-MAN 'Incoherence'

BroadwayWorld.com reported earlier that multiple critics from major newspapers have indeed purchased tickets in recent days to SPIDER-MAN: Turn Off the Dark, and amongst those expected to publish reviews in tomorrow's newspapers will be The New York Times, The Washington Post, The Los Angeles Times and The New York Post. 

Here's what Charles McNulty had to say for the LA Times: But the time has come to assess the work, not the hullabaloo surrounding it. So much emphasis has been placed on the technological hurdles, the notion that "Spider-Man" is trying things that have never been attempted before in a Broadway house. What sinks the show, however, has nothing to do with glitches in the special effects. To revise a handy little political catch phrase, "It's the storytelling, stupid." And on that front, the failure rests squarely on Taymor's run-amok direction.

This is, after all, her vision, and it's a vision that has been indulged with too many resources, artistic and financial. The production, lacking the clarity that's born out of tough choices, adds when it should subtract, accelerates when it should slow down. Taymor's inventive staging of "The Lion King" was a victory for the craft and commerce of theater alike. But the investors of "Spider-Man" have inadvertently bankrolled an artistic form of megalomania.

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The Drama Critics' Circle (which contains many, but not all of the NY critics - lacking the NY Times amongst others) failed to reach a consensus on the issue at their January 31 meeting on the subject leaving critics and their editors to make their own decisions on the subject. 

Reviews have been trickling out, most recently in the UK Telegraph over the weekend and recently in the Toronto Star and the NJ Star-Ledger and of course Michael Riedel has been covering the show extensively for the New York Post. 

After the show's last delay, BroadwayWorld.com reached out to multiple major critics after the announcement that the opening was being delayed (again) who have told us that they were talking to their editors and expect that given that the show will now have been seen by potentially 200,000 audience members before its opening night, that they will NOT wait until opening night to review the show and were instead looking at seeing the show near to the February 7th previously scheduled opening night.

 Rick Miramontez, Spokesman for SPIDER-MAN Turn Off the Dark told us that "The official position of the Spider-Man team is that critics should not review the production until invited by the production. We deem critics to be theater lovers, and to review the show before it is frozen is not, in any way, in the spirit of Broadway and all it represents."

Lead producers Michael Cohl and Jeremiah J. Harris announced that SPIDER-MAN Turn Off The Dark has delayed its opening night (previously set for February 7, 2011) to Tuesday, March 15th to allow for more time to fine-tune aspects of the show, including the new ending. Directed by Julie Taymor and featuring a book by Julie Taymor and Glen Berger, and new music and lyrics by U2's Bono and The Edge, SPIDER-MAN Turn Off The Dark is now in previews at Broadway's Foxwoods Theatre (213 West 42nd Street).