Judy McLane, Kevin Massey and More To Star In 29 Hour Reading Of CLICQUOT: A REVOLUTIONARY MUSICAL

Two presentations of the 29 hour reading for a brand new musical will be held at Open Jar Studios at 11am and 3:30pm on March 13, 2020. The reading is directed by Laurie Glodowski with music direction by Kenneth Gartman and produced by 35th Parallel Productions.

Clicquot, A Revolutionary Musical is an exhilarating story that takes place in the wake of the French Revolution when one woman changed the champagne industry forever. Barbe-Nicole Ponsardin Clicquot led an aristocratic life, but when her beloved Francois died unexpectedly only a few short years after their marriage, she did the unthinkable. Thanks to the bravery, audacity, and talents of Barbe-Nicole Ponsardin Clicquot, Veuve Clicquot is now celebrated as one of the greatest Champagne houses in the world.

Cast Includes: Judy McLane, Kevin Massey, Victoria Frings, Brian Cali, Daniel J. Edwards, Tim Rogan, Eric Sorrels, Nick Laughlin, Rachael Worthington, Neal Young, Kai An Chee, Kennedy Kanagawa, Richard Lindenfelzer, and Erin McMillen

Come immerse yourself in the life of Barbe-Nicole Ponsardin Clicquot and her greatest passion, Champagne! To attend, please email your request to clicquotmusical@gmail.com

More About the Authors:

LISETTE GLODOWSKI (Book, Music, Lyrics) Lisette Glodowski is a New York based composer/lyricist singer, actor, dancer, and choreographer. Lisette received her MFA in Musical Theatre Writing at NYU's Tisch School of The Arts. She works at The Neighborhood Playhouse, is a Co-Founder of Champagne Musical LLC production company, and is an ambassador of the arts withThe Phred Foundation. *BroadwayWorld nominee for Best Choreography for the regional production of ONCE at Theatre Raleigh.

RICHARD C. WALTER (Book, Music, Lyrics) Richard is a composer/lyricist from Stamford, CT. He has studied and worked as a composer and arranger in many genres, including musical theatre, choral, a cappella, pop, jazz, and film scoring. Richard received his B.A. in Music from the University of North Carolina at Chapel Hill and his MFA in Musical Theatre Writing at NYU's Tisch School of The Arts.

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