The latest annual demographics
report by The League of American Theatres and Producers, The Demographics
of the Broadway Audience 2004-2005 for New York City, reveals
that international visitor numbers for Broadway continue to rebound to
pre-September 11 levels. Attendance by international visitors climbed
to 1.3 million for 2004-2005, representing a 148% increase from the post
9/11 fallout when admissions hit an all time low of 525,834 (2001-2002).
The international attendance figures are up from 1.24 million last
season and are virtually level with the pre-9/11 (1999-2000) figure of
1.32 million.
The Demographics of the Broadway
Audience 2004-2005 shows that attendance by New Yorkers has increased
8%, up from 1.94 million in the 2003-2004 season to 2.05 million. Domestic
tourist figures were the second highest in the past seven years at 5.7
million. This was slightly down from 5.8 million in 2003-2004.
"We are delighted to see that the
international visitor numbers for Broadway have continued to rebound to
post 9/11 levels," commented Jed Bernstein, President of The League of
American Theatres and Producers. "We have been working hard to bring
back foreign tourists as they are a vital part of the Broadway audience
and contribute significantly to the city's economy as a whole."
Although the majority of the Broadway
theatregoing audience continued to be Caucasian (78%), the percentage of
minority ethnic groups attending Broadway reached a high of 22%, with 2.57
million in attendances for 2004-2005. This figure is up 11% from
2.31 million last season.
The report also shows that the ticket
purchasing habits of Broadway theatregoers are changing. The use
of the Internet was the most popular method of ticket buying in 2004-2005,
with use quadrupling over the last five years, from 7% to 29%. Another
notable trend is that theatregoers are still not purchasing as far in advance
as they did before September 11. Last season, only 31.8% purchased
more than one month before the show – the lowest percentage since 2001.
Broadway continued to attract repeat customers,
with the average theatregoer attending five shows in the past year, a figure
level with the past several seasons. Playgoers tended to be more
frequent theatregoers than musical attendees. The typical playgoer
saw seven shows in the past year, compared with four for the musical attendee.
Those who saw fifteen or more shows comprised 5% of the audience,
but represented 27% of all tickets sold.
Personal recommendation was the single
most important factor in show selection with 47% of theatregoers citing
this as their primary influence. Critics' reviews and the Tony Awards
were the second and third highest factors, respectively, in choosing a
show.
Other key figures published in The
Demographics of the Broadway Audience 2004-2005 include:
· The
average age of the Broadway theatergoer was 42 years old, level with last
season and slightly younger than recent past seasons · Sixty-five
percent of the audience was female, with women continuing to be the primary decision-makers in show selection · Theatregoers
under 18 years accounted for nearly 1.2 million tickets, a drop from 1.3
million in the previous season, but
still relatively high · While
still quite affluent when compared to the average American, the annual
household income of the average theatergoer
was $96,100, a drop of $11,300 from two seasons ago
From June 2004-2005, 11.53 million tickets
were sold to Broadway shows. This figure is down slightly from the
previous season (11.61 million) but the fourth highest in the past two
decades. The most noticeable difference from last season was the
increase in ticket sales to plays, with attendances jumping 25% from 1.57
million last season to 1.97 million for 2004-2005.
The Demographics of the Broadway
Audience is published annually by The League of American Theatres
and Producers, which is the clearinghouse for information on the business,
demographics and economic impact of Broadway theatre throughout North America.
The League compiles various statistics and publishes extensive reports
on a number of topics. Printed versions of the reports are available
for purchase online at www.livebroadway.com/orderform.html. The League of American Theatres and Producers,
Inc., created in 1930 is the official trade association for the commercial
theatre industry. The League's 500-plus members include theatre
owners and operators, producers, presenters, and general managers in 140
+ North American cities, as well as suppliers of goods and services to
the theatre industry. Each year, League members bring Broadway to
almost 30 million people in New York and across the US and Canada.