HERE LIES LOVE to Play West End's National Theatre in 2014?

As BroadwayWorld previously confirmed, HERE LIES LOVE's artistic director Oskar Eustis is currently in talks to give the musical a 'future life' - and according to Baz Bamigboye at The Daily Mail, that may mean a 2014 West End transfer for The Public Theater's breakout production.

Bamigboye reports that LOVE's producers are eyeing The National Theatre's Dorfman Theatre, and aiming to open in June or July of next year.

For the original report, head on over to The Daily Mail.

HERE LIES LOVE received the Outer Critics Circle Award for Outstanding New Off-Broadway Musical; an Obie Award for Outstanding Music and Lyrics; Drama Desk Awards for Outstanding Music, Lighting Design, and Projection Design; and Theatre World Awards for Ruthie Ann Miles (Imelda Marcos) and Conrad Ricamora (Aquino).

HERE LIES LOVE is a fully immersive, 360-degree theatrical experience, all filtered through the remarkable vision of David Byrne, one of the great American artists of the last half century. Set within a dance club atmosphere, audiences will stand and move with the actors. Comfortable shoes and clothing are recommended since the audience stands and moves with the actors. Dancing is encouraged.

The complete cast of Here Lies Love features Renée Albulario (Ensemble), Melody Butiu (Ensemble), Natalie Cortez (Ensemble), Debralee Daco(Ensemble), Joshua Dela Cruz (Ensemble), Jose Llana (Ferdinand Marcos), Kelvin Moon Loh (Ensemble), Jeigh Madjus (Ensemble), Ruthie Ann Miles(Imelda Marcos), Maria-Christina Oliveras (Ensemble), Conrad Ricamora (Aquino), Trevor Salter (Ensemble), and Janelle Velasquez (Ensemble).

Within a pulsating dance club atmosphere, David Byrne and Fatboy Slim deconstruct the astonishing journey of Filipina First Lady Imelda Marcos, retracing her meteoric rise to power and subsequent descent into infamy and disgrace at the end of the People Power Revolution. Here Lies Love is neither a period piece nor a biography, neither a play nor a traditional musical but an immersive theatrical event combining songs influenced by four decades of dance music, adrenaline-fueled choreography, and a remarkable 360-degree scenic and video environment to go beyond Imelda's near-mythic obsession with shoes and explore the tragic consequences of the abuse of power.

Photo Credit: Joan Marcus