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HERE LIES LOVE Original Cast Album in the Works!

By: May. 09, 2013
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According to the show's official Twitter page, the critically acclaimed world premiere musical Here Lies Love, with concept and lyrics by David Byrne, music by David Byrne and Fatboy Slim, additional music by Tom Gandey and J Pardo, and choreography by Annie-B Parson, will record a cast ablum in the near future. An official release date has not yet been announced.

Directed by Alex Timbers, Here Lies Love officially opened on Tuesday, April 23 and has been extended for a third time to Sunday, June 30. A new block of tickets is on sale now and can be purchased at (212) 967-7555, www.publictheater.org, or in person at The Public Theater box office at 425 Lafayette Street.

HERE LIES LOVE is a fully immersive, 360-degree theatrical experience, all filtered through the remarkable vision of David Byrne, one of the great American artists of the last half century. Set within a dance club atmosphere, audiences will stand and move with the actors. Comfortable shoes and clothing are recommended since the audience stands and moves with the actors. Dancing is encouraged.
The complete cast of Here Lies Love features Renée Albulario (Ensemble), Melody Butiu (Ensemble), Natalie Cortez (Ensemble), Debralee Daco (Ensemble), Joshua Dela Cruz (Ensemble), Jose Llana (Ferdinand Marcos), Kelvin Moon Loh (Ensemble), Jeigh Madjus (Ensemble), Ruthie Ann Miles (Imelda Marcos), Maria-Christina Oliveras (Ensemble), Conrad Ricamora (Aquino), Trevor Salter (Ensemble), and Janelle Velasquez (Ensemble).

Within a pulsating dance club atmosphere, David Byrne and Fatboy Slim deconstruct the astonishing journey of Filipina First Lady Imelda Marcos, retracing her meteoric rise to power and subsequent descent into infamy and disgrace at the end of the People Power Revolution. Here Lies Love is neither a period piece nor a biography, neither a play nor a traditional musical but an immersive theatrical event combining songs influenced by four decades of dance music, adrenaline-fueled choreography, and a remarkable 360-degree scenic and video environment to go beyond Imelda's near-mythic obsession with shoes and explore the tragic consequences of the abuse of power.







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