HADESTOWN Teases London Transfer

As Hadestown just marked its 1000th performance on Broadway at the Walter Kerr Theatre, the show might soon have another reason to celebrate. A recent Instagram post from the show's offical account reads: "London. Spring is Coming. Wait For Us." An official announcement has not yet been made.

Before Broadway, Hadestown played a sold-out engagement at the London's National Theatre in 2018. It is currently in the midst of a US tour.

Hadestown originated as Mitchell's indie theater project that toured Vermont which she then turned into an acclaimed album. With Chavkin, her artistic collaborator, Hadestown has been transformed into a genre-defying new musical that blends modern American folk music with New Orleans-inspired jazz to reimagine a sweeping ancient tale.

Following two intertwining love stories - that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone - Hadestown invites audiences on a hell-raising journey to the underworld and back. Mitchell's beguiling melodies and Chavkin's poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers, and singers, Hadestown delivers a deeply resonant and defiantly hopeful theatrical experience.

Hadestown marks the first time in over a decade that a woman has been the solo author of a musical: writing the music, lyrics, and book, and is the fourth time in Broadway history a woman has accomplished this creative feat. It also marks the first time in Broadway history that a show's female composer and female director both won Tony Awards for their work. Earlier this year, the landmark musical became the longest running show in the history of the Walter Kerr Theatre and holds the record for highest grossing musical in that venerated stage's 100-year history.

Hadestown is produced by Mara Isaacs, Dale Franzen, Hunter Arnold, and Tom Kirdahy. The creative team features Tony Award winner Rachel Hauck (set design), four-time Tony Award nominee Michael Krass (costume design), two-time Tony Award winner Bradley King (lighting design), Tony Award winners Nevin Steinberg and Jessica Paz (sound design), Obie Award® winner and Chita Rivera Award® winner David Neumann (choreography), Liam Robinson (music direction and vocal arrangements), Tony Award winners Michael Chorney and Todd Sickafoose (arrangements and orchestrations), Ken Cerniglia (dramaturgy), and Stewart/Whitley (casting).

The North American tour is concluding an engagement at Rochester, NY's RBTL's Auditorium Theatre and then on Tuesday, March 21 will play Providence, RI's Performing Arts Center. The tour is celebrating its second year of sold-out performances with return engagements also announced for Washington DC, San Francisco, and a run at Toronto's Royal Alexandra Theatre starting July 2023.

The Original Broadway Cast Recording of Hadestown is one of the most streamed cast albums of all time with over 300 million streams to date. It topped Billboard's Broadway Cast Recording chart and debuted at #8 on the Top Album chart. The CD edition features a 64-page booklet and a two-disc set, while the triple vinyl edition features a 16-page booklet. Both editions include complete song lyrics and photos of the Hadestown cast and creative team in the studio, and other exclusive content. A special limited-edition transparent green vinyl box set was just released on Friday.

In fall of 2020, Mitchell released Working On A Song: The Lyrics of Hadestown, an illuminating book of lyrics and stories about her more than decade's long process of building the musical from the ground up. Working On A Song is available from Penguin Random House.

Hadestown electrified audiences with its 2016 world premiere at New York Theatre Workshop, which is the longest-running show in that celebrated theater's 40-year history. The production then received its Canadian premiere at Edmonton's Citadel Theatre in 2017 and then a 2018 sold-out engagement at the London's National Theatre prior to Broadway. Hadestown was developed with funding from the Eli and Edythe Broad Stage at the Santa Monica College Performing Arts Center and was further developed by The Ground Floor at Berkeley Repertory Theatre. Hadestown was co-conceived by Ben t. Matchstick.