Stillspotting nyc is a two-year multidisciplinary project that takes the Guggenheim Museum's programming out into the streets. Site-specific commissions in all five of New York City's boroughs identify moments of urban quiet and stillness and respond to everyday issues of noise and anxiety. For stillspotting nyc: staten island, the fourth edition in the series, sound artist Justin Bennett and poet Matthea Harvey present Telettrofono, an audio walking tour that braids history with fantasy along and around the waterfront.
Telettrofono will be offered in the St. George and New Brighton neighborhoods of Staten Island for four summer weekends: July 14–15, July 21–22, July 28–29, and August 4–5, 2012. Starting from a stillspotting nyc kiosk, located near the Staten Island Ferry Terminal in St. George, visitors will take a soundwalk, guided by an approximately one and a half-hour recording.
Stillspotting nyc is organized by David van der Leer, Assistant Curator, Architecture and Urban Studies, with Sarah Malaika, Stillspotting Project Associate, Solomon R. Guggenheim Museum.
Support for stillspotting nyc is provided by the Rockefeller Foundation NYC Opportunities Fund and a MetLife Foundation Museum and Community Connections grant. This project is also supported in part by the National Endowment for the Arts. The Leadership Committee for stillspotting nyc, co-chaired by Franklin Campbell and Pamela Samuels, is gratefully acknowledged for its support.
Antonio Meucci, a Staten Island resident of Italian birth, was the unacknowledged inventor of the first telephone (or telettrofono), conceived in 1849, when he accidentally discovered, while administering electrical shocks to a man suffering from rheumatism, that sound could travel along electrical wires. Many of his inventions-a marine telephone, a lactometer, flame-retardant paint and smokeless candles-went far beyond the imagination of his contemporaries. For Telettrofono, Bennett and Harvey meld ambient sounds from the borough with invented noises such as pianos of stone and glass, or a bone-xylophone, with a poetic script for an audio walking tour that weaves Meucci's tragic true-to-life story together with fantastical elements. Bennett and Harvey envision Meucci's wife, Esterre, a mermaid who leaves the water for land because of her love for the sounds above ground.
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