The Working
Theater has announced that Robert Arcaro will step down as the Off-Broadway theater
company's artistic director and will be replaced by long-time Working Theater
collaborator Connie Grappo effective immediately.
Arcaro will be
stepping down after 8 successful years. As a founding member of the company, he will remain active with the company on its Board of Directors. Grappo has been involved artistically with the Company since 1998 and has
directed four productions for the Working Theater including the Drama Desk
Award-winning Tabletop and the Drama Desk-nominated Hold Please.
"As a member of the theater faculty at Yale University and a highly
regarded director, Ms. Grappo will bring a fresh perspective and many new
contacts and connections to the table. Coming from a working-class family,
Ms. Grappo understands the concerns of the unique constituency of the Working
Theater but, having spent her entire professional life in the theater industry,
she also understands what makes great theater that can transcend a
specific audience. Her presence will further invigorate the artistic
vitality of the Working Theater," state press notes.
Grappo will partner with Producing Director Mark Plesent on all
matters that affect the company artistically, including choosing material to
develop and produce as well as commissioning playwrights to write plays for the
Company. Ms. Grappo is "hoping to expand our pool of collaborators to help us
meet the challenge of bringing socially relevant theater to an ever-changing
society."
Grappo is joining the Working Theater at a critical juncture for
the company. "In the current political climate issues of concern to working
people and the poor are being ignored as the current Administration in
Washington focuses on corporate tax-relief, tax cuts for the wealthy, corporate
opportunities in the global market and the resource-draining war in Iraq.
The images in the aftermath of Hurricane Katrina made that point blatantly clear
on televisions across America. The mission of the Working Theater is as
essential now as when the Company was first formed during the 'trickle-down
economics' years of Ronald Reagan. The Company is aggressively seeking
increased funding in order to produce more work that can magnify the voice of
the working majority to the general public."