News on your favorite shows, specials & more!

FRIGID New York and A High Frequency Theatre to Present Andrew Hall's ‘TIL LOVE DO US PART, 2/22 - 3/3

By: Feb. 06, 2012
Get Access To Every Broadway Story

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click.




Existing user? Just click login.

FRIGID New York and A High Frequency Theatre will present Andrew Hall's "'Til Love Do Us Part" February 22 - March 3 at UNDER St. Marks - 94 St. Marks Place between 1st Ave and Avenue A. 

Directed by Cameron J. Marcotte, the production follows a seventy-year relationship through life, sex, death, and love. Tickets cost $15 for general admission and $10 for  students and seniors. Visit www.smarttix.com or call (212) 868-4444 to purchase tickets. 

The performance dates are Wednesday, Feb. 22nd at 6:00 p.m.; Friday, Feb. 24th at 10:30 p.m.; Sunday, Feb. 26th at 5:30 p.m.; Thursday, March 1st at 9:00 p.m.; and Saturday, March 3rd at 4:00 p.m.

Andrew Hall (playwright and composer) recently wrote and developed six plays at the Eugene O'Neill Theater Center this past summer, including Aria of the Ocean, Ambrosia, and Art Exhibit. At the O'Neill, he was also given the chance to develop an original fifteen-minute musical, Out of the Spotlight. One of Andrew's principle beliefs is that great musical theatre is not frivolous. He has stated the musical element of this piece is crucial to the emotional core of the characters. Andrew has been playing the piano his entire life, and was most recently trained by Arthur Bellucci of Hamden, CT. Andrew Carries a passion for musical theatre ever since a Broadway production cured an incurable complex migraine headache in his youth.  His ten-minute play Slaves of a Household Death Car was recently produced at the New School. 'Til Love Do Us Part has been an unsolvable work in progress for the last two years. Not anymore. He is honored to finally see the piece come to life the way it was always meant to be seen.

Director Cameron J. Marcotte's principle concern in creating theatre is the "here and now." To him, theatre must have an immediate and truthful impact on the audience and the artist. Favorite projects include: Aria of the Ocean, Barbie Blended: a Pop Rockin' Musical Mashup (Eugene O'Neill Theater Center), Will Eno's The Flu Season (Marymount Manhattan College), Samuel Barber's short opera A Hand of Bridge (NY Opera Exchange), and The House of Blue Leaves (Marymount Manhattan College, assisting for dir. Richard Niles). 




Videos