On August 14, 1974, the first stateside performance occurred of an outrageous and daring new musical that had already made something of a splash in the UK, but would prove to be one of the weirdest and wildest shows ever staged anywhere - THE ROCKY HORROR SHOW.
Sweet Transvestite "Give yourself over to absolute pleasure," sings transsexual Transylvanian Dr. Frank N. Furter in the thrilling and climactic capper to the Floor Show sequence in creator/actor Richard O'Brien's bizarre and endlessly entertaining musical spoof THE ROCKY HORROR SHOW. And, so, too, goes the motto of the musical itself - particularly its characters, and, most of all, its rabid fans. After all, perhaps no other musical storytelling entity on the planet commands quite the vociferous, vocal and proud support of such a large community than that of the ROCKY HORROR groupies - many of them going strong in fishnet stockings and sky-high stilettos for more than thirty years now as the show inches ever closer to its fortieth anniversary.Yes, indeed, there is something unmistakably unique and oddly alluring about the tale of two all-American teens on the day of their nuptials who come upon a castle straight out of Hammer horror - complete with the far-out cast of characters contained within; many of them actually coming from another universe entirely (as we eventually come to find out) - and proceed to go on a journey testing limits probably neither one of them were ever aware even existed; moral, sexual and even planetary.
Besides two smashing duets for leads Brad and Janet to kick off the show following a stirring B-movie homage opening song ("Science Fiction, Double Feature"), the musical showcases afforded star player Frank N Furter are decadently delectable - from the David Bowie-esque establishing song "Sweet Transvestite" through to the rocking "I'll Make You A Man" as well as the acid-laced "Planet, Schmanet, Janet" and the unforgettable aforementioned Floor Show sequence, featuring perhaps the highlight of the entire score at its stirring conclusion, the evocative torch song "I'm Going Home". The group numbers score, as well - particularly, of course, the instant earworm, "The Time Warp". The various actors inhabiting the roles in ROCKY HORROR onstage, then and now - and, also, in the iconic film version; titled, of course, THE ROCKY HORROR PICTURE SHOW - are given delightfully twisted and quite daring moments to devour and deliver, with everything from B-movie horror to pure camp to transvestism to melodrama and much more on the varied menu. It's a mélange of a musical, to say the very least, but when it works - as it does in the film and certainly did on Broadway in the smashing 2000 revival - it's nearly divine.
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