"What good is sitting alone in your room?" Especially when a big splashy revival of John Kander, Fred Ebb and Joe Masteroff's celebrated Weimar Germany musical CABARET is back on Broadway, starring Michelle Williams and Alan Cumming! Start celebrating, already - beginning right here.
Come Blow Your Horn Shocking, disturbing and thought-provoking - not to mention a cultural event like few others - the original 1966 premiere production of CABARET directed by then-rising helmer Hal Prince was certainly ahead of its time at the moment of its debut, yet time itself has been more than kind to the unusual and edgy theatre piece in the intervening years since - and how! Featuring an attention-grabbing and idiosyncratic master of ceremonies simply referred to as the Emcee, CABARET made a star of Joel Grey, who would not only take home the Tony Award for his portrayal, but, also the Academy Award, too (in the same year as Al Pacino in THE GODFATHER, no less). Of course, history repeated itself decades later when Alan Cumming made a major mark in the part and took home a Tony Award for his efforts, as well - and, now, with this week's revival opening, here he is, back on the Great White Way wowing crowds all over again. But, as fabulously theatrical and outré as the Emcee is and was, CABARET is really more or less all about the leading lady - in this case, the one and only Sally Bowles.
Photo Credits: Joan Marcus, etc.
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