News on your favorite shows, specials & more!

Every Little Step... A Chorus Line Documentary Rights Sold to Sony Pictures Classics

By: Sep. 15, 2008
Enter Your Email to Unlock This Article

Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe.




Existing user? Just click login.

Variety is reporting that the North American rights for Every Little Step have been sold to Sony Pictures Classics. William Morris Independent represented the documentary in the sale. Future plans for the film have not yet been announced.

Broadway has produced many legendary productions, but A Chorus Line and the story behind it remain special. Every Little Step captures the magic of the show by following the process of casting the 2006 stage revival. The concept is self-referential, given that the very plot of A Chorus Line is about casting a musical, but the filmmakers add another layer by examining how the original show was born when Michael Bennett recorded a group of dancers speaking in confessional mode. Fans of the show may get goosebumps hearing those audio tapes, while newcomers will discover what made Bennett (in the words of the finale song) "one singular sensation/every little step he takes."

This is the third documentary directors James D. Stern and Adam Del Deo have premiered at the Festival. Stern has built a prolific career producing film and Broadway shows, including The Producers and Hairspray. His participation afforded the crew extraordinary access behind the scenes and, for anyone who loves theater, Every Little Step is cause for hip-swaying, high-kicking celebration.

In auditions, we see performers giving everything they've got for songs like "I Can Do That" and "At the Ballet." We meet the original performers Donna McKechnie (who performed "The Music and the Mirror") and Baayork Lee (whose personality and short stature inspired the character Connie) along with the aspiring dancers who hope to revive those roles. Encountering so many talented hopefuls, it is mesmerizing to watch their different interpretations of each character. As part of the dialogue between past and present, composer Marvin Hamlisch reveals how the song known as "Tits and Ass" was almost cut in 1975, while thirty years later new singers out-vamp each other to make it their own.

But who will get the parts? The directors deftly follow the process to the end - the heartbreak of being cut, the exhilaration of being chosen. The result is one thrilling combination, every move this film makes.

For tons of BroadwayWorld.com coverage of A Chorus Line, click here.

For more on the Toronto Film Festival, click here to read about it in today's New York Times or click here to read about it in Variety.

Click here to see the exciting trailer...you'll see a lot of familiar faces - past and present.

A Chorus Line is currently on a national tour and certainly is one of the most exciting shows that you'll ever see LIVE on stage. Click here for tour cities and schedule.

BroadwayWorld.com spoke to Donna McKechnie after the film's toronto premiere. Click here for that story. 







Videos