Concrete Temple's GEPPETTO Begins 6/13

Concrete Temple Theatre will present the World Premiere of Geppetto, written and directed by Renee Philippi, performed and designed by Carlo Adinolfi, with original music composed by Lewis Flinn (Lysistrata Jones & The Little Dog Laughed on Broadway) performed live by cellist Jeanette Stenson. Geppetto runs from June 13 - 30, 2013 in a limited engagement at HERE, located at 145 6th Avenue (Enter on Dominick, 1 block south of Spring) in New York City. Previews begin June 13 for a June 16 opening.

Performances are Thursdays - Mondays at 7pm with additional shows on Saturdays at 2pm. Tickets are $20 and $15 for students and seniors and can be purchased online at http://www.here.org or by calling 212-352-3101. The running time is 1 hour. The show is appropriate for adults and adventurous children 8 and up. For more information visithttp://ConcreteTempleTheatre.com.

Acclaimed performer Carlo Adinolfi plays Geppetto, aka G, in this heart-wrenching and hilarious tale of a poor Italian immigrant puppeteer whose life unravels when his closest companions, two well-worn puppets he created for his shows, begin to fall apart. After the passing of his beloved wife and fellow-puppeteer Donna, G and his puppets struggle to create a new play. But as his puppets begin to disintegrate and his own heart breaks, G must try fix them and heal himself so that the show, and his life, can go on. Drawing inspiration from Pinocchio, The Old Man and the Sea and the inspiring true story of double-amputee Hugh Herr's incredible return to rock climbing, Geppetto is an exploration of resilience and ingenuity in the face of loss and change.

Renee Philippi (Creator & Director) is Artistic Director of Concrete Temple Theatre with Carlo Adinolfi. Over the past 25 years, she's been writing and directing in NYC and has toured work nationally and internationally. With Concrete Temple she's worked as a co-creator, director and writer/adapter on New York, national, international and touring productions of Bird Machine, The Whale (Off-Broadway at Barrow Street Theatre and Edinburgh's Assembly Rooms), Hudson to China, Alberto's Great Escape and The Bystander Project. Philippi is an alumna of Women's Project Directors Forum and a member of Lincoln Center's Directors Lab and New Georges. She's been an Artist-in-Residence with Mabou Mines, St. Ann's Warehouse Puppet Lab, The Flea and Williamstown Theatre Festival.

Carlo Adinolfi (Creator, Performer & Designer) was born in Italy. He's Artistic Director of Concrete Temple Theatre with Renee Philippi. With Concrete Temple he's worked as a co-creator, performer, set designer and puppet designer on New York, national, international and touring productions of Bird Machine, The Whale (Off-Broadway at Barrow Street Theatre and Edinburgh's Assembly Rooms), Hudson to China, Alberto's Great Escape and The Bystander Project. Adinolfi is a member of EST and has danced with Laura Pawel Dance Company, Sara Pearson/Patrik Widrig and Dancers, and Elise Long.

Lewis Flinn (Composer) has written scores and songs for national commercials, network TV shows, Broadway plays, musicals and independent films. His theater musicals include the acclaimed Broadway production of Lysistrata Jones with a book by Douglas Carter Beane, Other Girls with Steven Sater, Like Love with Barry Jay Kaplan (NYMF 2007) and The Winner with Joe Sutton (Lyric Stage). He composed and produced the music and main themes for the CBS primetime shows: "The Power of 10" and "Million Dollar Password." In addition to writing musicals, Flinn has composed scores and songs for over 50 productions around the country including the Tony-nominated The Little Dog Laughed on Broadway and collaborations with Charles Busch (The Divine Sister and Die Mommie Die).

Jeanette Stenson (Cellist) has performed at Carnegie Hall's Isaac Stern Auditorium, Zankel Hall and the Kennedy Center, and has worked with Lorin Maazel and Kurt Masur.

Casey McLain is the Light Designer and Stage Manager.

Concrete Temple Theatre is a multi-disciplinary company that emphasizes the creation of compelling new theatre works, incorporating drama, dance, puppetry, music, and the visual arts, which focus on the individual's struggle for identity and society's struggle for cohesion. Through touring their shows and presenting workshops in New York City, nationally, and internationally, Concrete Temple strives to bring myth and ritual back to the center of dialogue, while making connections and opportunities for diverse audiences to question and examine their place in the world.

Concrete Temple's production of Bird Machine was a Back Stage "Critic's Pick" and The Village Voice lauded it as "An engaging piece of experimental theater...The troupe dazzles." The Independent (UK) called their production of Alberto's Great Escape "a delightful show" and Daily Mail (UK) said their production of The Whale "deserves to be seen." The Scotsman (UK) said Carlo Adinolfi exudes "strength, grace, and agility" on the stage, The Independent (UK) praised him as a "beguiling and versatile entertainer," and Daily Mail (UK) cheered his "astonishing artistry," calling him a "skillful actor/choreographer." "Ambitious production is the norm for Concrete Temple, a creative ensemble with a strong focus on ritual theatre, multi-disciplinary storytelling and the collective experience," says The Brooklyn Rail.

Geppetto is a part of SubletSeries@HERE, HERE's curated rental program, which provides artists with subsidized space and equipment, as well as technical support. This program is supported in part by The Jim Henson Foundation and St. Ann's Warehouse Puppet Lab. HERE is accessible from the C or E train to Spring St., 1 to Houston St., or N or R to Prince St.